Introduction / Bill V. Mullen and James Smethurst -- Modernism and the Aesthetics of Management, or T.S. Eliot's Labor Literature / Eric Schocket -- F.B. Eyes: The Bureau Reads Claude McKay / William J. Maxwell -- The Specter of Radicalism in Alain Locke's The New Negro / Anthony Dawahare -- W.E.B. DuBois, Dark Princess, and the Afro-Asian International / Bill V. Mullen -- Barrios of the World Unite!: Regionalism, Transnationalism, and Internationalism in Tejano War Poetry from the Mexican Revolution to World War II / B. V. Olguin -- Narrating Nationalisms: Black Marxism and Jewish Communists through the Eyes of Harold Cruse / Alan Wald -- From Communism to Brotherhood: The Drafts of Invisible Man / Barbara Foley -- Alice Childress, Lorraine Hansberry, and Claudia Jones: Black Women Write the Popular Front / Mary Helen Washington -- Voice of the Cracker: Don West Reinvents the Appalachian / Rachel Rubin -- The First Negro Matinee Idol: Harry Belafonte and American Culture in the 1950s / Michelle Stephens -- Bamboo That Snaps Back!: Resistance and Revolution in Asian Pacific American Working Class and Left-Wing Expressive Culture / Fred Ho -- Poetry and Sympathy: New York, the Left, and the Rise of Black Arts / James Smethurst -- A Marxist Critique of Borderlands Postmodernism: Adorno's Negative Dialectics and Chicano Cultural Criticism / Marcial Gonzalez -- The Letters the Presidents Did Not Release: Radical Scholarship and the Legacy of the American Volunteers in Spain / Cary Nelson