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| 050 | 00 | $aPN1995.9.N67$bD55 2003 |
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| 100 | 1_ | $aDika, Vera,$d1951- |
| 245 | 10 | $aRecycled culture in contemporary art and film :$bthe uses of nostalgia /$cVera Dika. |
| 264 | _1 | $aCambridge, U.K. ;$aNew York :$bCambridge University Press,$c2003. |
| 300 | $axi, 241 pages :$billustrations ;$c24 cm. | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $aunmediated$bn$2rdamedia | |
| 338 | $avolume$bnc$2rdacarrier | |
| 490 | 1_ | $aCambridge studies in film |
| 504 | $aIncludes bibliographical references (pages 231-235) and index. | |
| 650 | _0 | $aNostalgia in motion pictures. |
| 650 | _0 | $aNostalgia in art. |
| 650 | _0 | $aArt, American$y20th century. |
| 830 | _0 | $aCambridge studies in film. |
| 856 | 42 | $3Table of contents$uhttp://www.loc.gov/catdir/toc/cam031/2002035001.html |
| 856 | 42 | $3Publisher description$uhttp://www.loc.gov/catdir/description/cam031/2002035001.html |
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| 100 | 1_ | $aDika, Vera,$d1951- |
| 245 | 10 | $aRecycled culture in contemporary art and film :$bthe uses of nostalgia /$cVera Dika. |
| 264 | _1 | $aCambridge ;$aNew York :$bCambridge University Press,$c[2003] |
| 264 | _4 | $c©2003 |
| 300 | $a1 online resource (xi, 241 pages) :$billustrations. | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 490 | 1_ | $aCambridge studies in film |
| 520 | $aThe reuse of past images, plots, and genres from film history has become a prominent feature of contemporary culture. Vera Dika explores this practice from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, as well as mainstream American and European films. Noting the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One Flew from the Heart. Her study positions avant garde art work within the context of contemporary mainstream film practice, as well as in relationship to each work's historical moment.--Publisher description. | |
| 504 | $aIncludes bibliographical references (pages 231-235) and index. | |
| 505 | 0_ | $aThe returned image -- Art and film : New York City in the late 1970s -- Returned genres : the dream has ended -- Reconsidering the nostalgia film -- A return to the 1950s : the dangers in utopia -- Coppola and Scorsese : authorial views -- To destroy the sign. |
| 588 | 0_ | $aPrint version record. |
| 650 | _0 | $aNostalgia in motion pictures. |
| 650 | _0 | $aNostalgia in art. |
| 650 | _0 | $aArt, American$y20th century. |
| 650 | _6 | $aNostalgie au cinéma. |
| 650 | _6 | $aNostalgie dans l'art. |
| 650 | _6 | $aArt américain$y20e siècle. |
| 650 | _7 | $aArt, American.$2fast$0(OCoLC)fst00815895 |
| 650 | _7 | $aNostalgia in art.$2fast$0(OCoLC)fst01039539 |
| 650 | _7 | $aNostalgia in motion pictures.$2fast$0(OCoLC)fst01039541 |
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| 776 | 08 | $iPrint version:$aDika, Vera, 1951-$tRecycled culture in contemporary art and film : the uses of nostalgia.$dCambridge ; New York : Cambridge University Press, 2003$z0521815681$w(DLC) 2002035001$w(OCoLC)50730728 |
| 830 | _0 | $aCambridge studies in film. |
| 856 | 40 | $uhttp://hdl.handle.net/2027/heb.07578.0001.001 |