Website Search
Find information on spaces, staff, and services.
Find information on spaces, staff, and services.
| LEADER | 01453cam a22004334a 4500 | |
| 001 | 9958858803602122 | |
| 005 | 20130715142744.0 | |
| 008 | 011114t20022002caua b 001 0deng | |
| 010 | $a 2001007068 | |
| 015 | $aGBA2-V9630 | |
| 019 | $a50877392 | |
| 020 | $a0520233107 (alk. paper) | |
| 020 | $a0520233115 (pbk. : alk. paper) | |
| 035 | $a(OCoLC)ocm48468791 | |
| 035 | $a(WU)5885880-uwmadisondb | |
| 035 | $z(OCoLC)50877392 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)999939034102121 | |
| 040 | $aDLC$beng$cDLC$dUKM$dC#P$dGZM | |
| 042 | $apcc | |
| 043 | $ae-gx--- | |
| 049 | $aGZMA | |
| 050 | 00 | $aPN1993.5.G3$bK645 2002 |
| 082 | 00 | $a791.43/0943$221 |
| 100 | 1_ | $aKoepnick, Lutz P.$q(Lutz Peter) |
| 245 | 14 | $aThe dark mirror :$bGerman cinema between Hitler and Hollywood /$cLutz Koepnick. |
| 264 | _1 | $aBerkeley :$bUniversity of California Press,$c[2002] |
| 264 | _4 | $c©2002 |
| 300 | $axii, 322 pages :$billustrations ;$c24 cm. | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $aunmediated$bn$2rdamedia | |
| 338 | $avolume$bnc$2rdacarrier | |
| 490 | 1_ | $aWeimar and now ;$v32 |
| 504 | $aIncludes bibliographical references and index. | |
| 505 | 0_ | $aIntroduction: The Dark Mirror -- Pt. 1. Hollywood in Berlin, 1933-1939 -- Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry -- Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel -- Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire -- Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- Pt. 2. Berlin in Hollywood, 1939-1955 -- Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions -- Ch. 6. Berlin Noir: Robert Siodmak's Hollywood -- Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism -- Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany" |
| 650 | _0 | $aMotion pictures$zGermany$xHistory. |
| 650 | _0 | $aMotion picture producers and directors$zGermany$vBiography. |
| 650 | _0 | $aGermans$zCalifornia$zLos Angeles. |
| 830 | _0 | $aWeimar and now ;$v32. |
| 856 | 42 | $3Table of contents$uhttp://www.loc.gov/catdir/toc/fy033/2001007068.html |
| 994 | $aX0$bGZM | |
| 997 | $aMARCIVE | |
| LEADER | 04784cam a2200697Ia 4500 | |
| 001 | 991022156422502122 | |
| 005 | 20230118181414.0 | |
| 006 | m o d | |
| 007 | cr cn||||||||| | |
| 008 | 030813s2002 caua ob 001 0deng d | |
| 019 | $a171565363$a179114287$a465032399$a475926835$a614664034$a647299234$a722211455$a733997196$a749134251$a754735614$a756527284$a801665093$a874664674$a888777195$a960205002$a961522484$a962656380 | |
| 020 | $a9780520936355$q(electronic bk.) | |
| 020 | $a0520936353$q(electronic bk.) | |
| 020 | $a0585466238$q(electronic bk.) | |
| 020 | $a9780585466231$q(electronic bk.) | |
| 020 | $a0520233107$q(alk. paper) | |
| 020 | $a9780520233102$q(alk. paper) | |
| 020 | $a0520233115$q(pbk. ;$qalk. paper) | |
| 020 | $a9780520233119$q(pbk. ;$qalk. paper) | |
| 020 | $z1597345733 | |
| 020 | $z9781597345736 | |
| 035 | $a(OCoLC)52841291$z(OCoLC)171565363$z(OCoLC)179114287$z(OCoLC)465032399$z(OCoLC)475926835$z(OCoLC)614664034$z(OCoLC)647299234$z(OCoLC)722211455$z(OCoLC)733997196$z(OCoLC)749134251$z(OCoLC)754735614$z(OCoLC)756527284$z(OCoLC)801665093$z(OCoLC)874664674$z(OCoLC)888777195$z(OCoLC)960205002$z(OCoLC)961522484$z(OCoLC)962656380 | |
| 035 | $a(OCoLC)ocm52841291 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)9910811259202121 | |
| 040 | $aN$T$beng$epn$cN$T$dYDXCP$dOCLCG$dOCLCQ$dN$T$dOCLCQ$dVLB$dEBLCP$dTUU$dOCLCQ$dTNF$dADU$dE7B$dDKDLA$dKSU$dOCLCQ$dACLSE$dOCLCO$dOCLCQ$dDEBSZ$dOCLCF$dCOO$dOCLCQ$dOCLCO$dOCLCQ$dMHW$dUUO$dEUW$dOCLCQ$dLOA$dAZK$dOCLCQ$dJBG | |
| 043 | $ae-gx--- | |
| 049 | $aGZMA | |
| 050 | _4 | $aPN1993.5.G3$bK645 2002eb |
| 072 | _7 | $aPER$x004040$2bisacsh |
| 082 | 04 | $a791.43/0943$221 |
| 100 | 1_ | $aKoepnick, Lutz P.$q(Lutz Peter) |
| 245 | 14 | $aThe dark mirror :$bGerman cinema between Hitler and Hollywood /$cLutz Koepnick. |
| 264 | _1 | $aBerkeley :$bUniversity of California Press,$c[2002] |
| 264 | _4 | $c©2002 |
| 300 | $a1 online resource (xii, 322 pages) :$billustrations. | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 347 | $adata file$2rda | |
| 380 | $aBibliography | |
| 490 | 1_ | $aWeimar and now ;$v32 |
| 504 | $aIncludes bibliographical references (pages 273-307) and index. | |
| 505 | 0_ | $aIntroduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany." |
| 520 | $a"Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html. | |
| 588 | 0_ | $aPrint version record. |
| 650 | _0 | $aMotion pictures$zGermany$xHistory. |
| 650 | _0 | $aMotion picture producers and directors$zGermany$vBiography. |
| 650 | _0 | $aGermans$zCalifornia$zLos Angeles. |
| 650 | _4 | $aMotion picture producers and directors$zGermany. |
| 650 | _6 | $aCinéma$zAllemagne$xHistoire. |
| 650 | _6 | $aProducteurs et réalisateurs de cinéma$zAllemagne$xBiographies. |
| 650 | _6 | $aAllemands$zCalifornie$zLos Angeles. |
| 650 | _7 | $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh |
| 650 | _7 | $aGermans.$2fast$0(OCoLC)fst00942100 |
| 650 | _7 | $aMotion picture producers and directors.$2fast$0(OCoLC)fst01027225 |
| 650 | _7 | $aMotion pictures$2fast$0(OCoLC)fst01027285 |
| 651 | _7 | $aCalifornia$zLos Angeles.$2fast$0(OCoLC)fst01204540 |
| 651 | _7 | $aGermany.$2fast$0(OCoLC)fst01210272 |
| 655 | _7 | $aHistory.$2fast$0(OCoLC)fst01411628 |
| 776 | 08 | $iPrint version:$aKoepnick, Lutz P. (Lutz Peter).$tDark mirror.$dBerkeley : University of California Press, ©2002$z0520233107$w(DLC) 2001007068$w(OCoLC)48468791 |
| 830 | _0 | $aWeimar and now ;$v32. |
| 856 | 40 | $uhttp://hdl.handle.net/2027/heb.08173.0001.001 |