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| 050 | 00 | $aN5054$b.A78 2001 |
| 082 | 00 | $a709/.41/07442132$221 |
| 245 | 00 | $aArt on the line :$bthe Royal Academy exhibitions at Somerset House, 1780-1836 /$cedited by David H. Solkin. |
| 264 | _1 | $aNew Haven :$bPublished for the Paul Mellon Centre for Studies in British Art and the Courtauld Institute Gallery by Yale University Press,$c[2001] |
| 264 | _4 | $c©2001 |
| 300 | $axi, 278 pages, 4 unnumbered folded pages of plates :$billustrations (some color) ;$c30 cm | |
| 336 | $atext$btxt$2rdacontent | |
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| 504 | $aIncludes bibliographical references (pages 255-270) and index. | |
| 505 | 0_ | $aPreface: 'The Exhibition' -- Introduction: 'This Great Mart of Genius': The Royal Academy Exhibitions at Somerset House, 1780-1836 / David H. Solkin -- 1. Architecture and Experience: The Visitor and the Spaces of Somerset House, 1780-1796 / John Murdoch -- 2. Staging the Spectacle / John Sunderland and David H. Solkin -- 3. 'A Shilling Well Laid Out': The Royal Academy's Early Public / C. S. Matheson -- 4. 'Stare Cases': Engendering the Public's Two Bodies at the Royal Academy of Arts / K. Dian Kriz -- 5. 'The Business of Criticism': The Press and the Royal Academy Exhibition in Eighteenth-Century London / Mark Hallett -- 6. The Sublime as Spectacle: The Transformation of Ideal Art at Somerset House / Martin Myrone -- 7. 'Portrait! Portrait!! Portrait!!!' / Marcia Pointon -- 8. The Spectacle of the Muse: Exhibiting the Actress at the Royal Academy / Gill Perry -- 9. Landscape-O-Rama: The Exhibition Landscape at Somerset House and the Rise of Popular Landscape Entertainments / Ann Bermingham -- 10. Turner Fires a Gun / Michael Rosenthal -- 11. Crowds and Connoisseurs: Looking at Genre Painting at Somerset House / David H. Solkin -- 12. Art in the Dark: Viewing and Exhibiting Sculpture at Somerset House / Alison Yarrington -- 13. Watercolourists and Watercolours at the Royal Academy, 1780-1836 / Greg Smith -- 14. Exhibiting Architecture: Strategies of Representation in English Architectural Exhibition Drawings, 1760-1836 / Nicholas Savage -- 15. Printmakers and the Royal Academy Exhibitions, 1780-1836 / Sarah Hyde -- 16. Foreign Exhibitors and the British School at the Royal Academy, 1768-1823 / Anne Puetz -- 17. Taste and the Multitude: The Somerset House Exhibitions in Continental Eyes / William Vaughan. |
| 610 | 20 | $aRoyal Academy of Arts (Great Britain) |
| 610 | 20 | $aSomerset House (London, England) |
| 610 | 24 | $aRoyal Academy of Arts. |
| 610 | 24 | $aSomerset House (London, England). |
| 650 | _0 | $aArt$vExhibitions. |
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| 650 | _0 | $aArt, British$y19th century. |
| 650 | _0 | $aArt and society$zEngland$zLondon. |
| 700 | 1_ | $aSolkin, David H. |
| 710 | 2_ | $aPaul Mellon Centre for Studies in British Art. |
| 710 | 2_ | $aCourtauld Institute Galleries. |
| 994 | $aX0$bGZM | |
| 997 | $aMARCIVE | |
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| 050 | _4 | $aN5054$b.A78 2001eb |
| 245 | 00 | $aArt on the line :$bthe Royal Academy exhibitions at Somerset House, 1780-1836 /$cedited by David H. Solkin. |
| 264 | _1 | $aNew Haven, Conn. :$bPublished for the Paul Mellon Centre for Studies in British Art and the Courtauld Institute Gallery by Yale University Press,$c[2001] |
| 264 | _4 | $c©2001 |
| 300 | $a1 online resource (xi, 278 pages) :$b220 illustrations (some color) | |
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| 500 | $aIncludes a folded re-creation of the historic hang in the Great Room, Courtauld Institute Gallery. | |
| 504 | $aIncludes bibliographical references and index. | |
| 505 | 2_ | $aIntroduction: 'This Great Mart of Genius'" The Royal Academy exhibitions at Somerset House, 1780-1836 / David H. Solkin -- Architecture and experience: The visitor and the spaces of Somerset House, 1780-1796 / John Murdoch -- Staging the spectacle / John Sunderland and David H. Solkin -- 'A Shilling well laid out': The Royal Academy's early public / C.S. Matheson -- 'Stare Cases' Engendering the public's two bodies at the Royal Academy of Arts / K. Dian Kriz --'The Business of Criticism': The press and the Royal Academy Exhibition in eighteenth-c'entury London / Mark Hallett -- The sublime as spectacle : The transformation of Ideal Art at Somerset House / Martin Myrone -- 'Portrait! Portrait!! Portrait!!!' / Marcia Pointon -- The spectacle of the muse : Exhibiting the Actress at the Royal Academy / Gill Perry -- Landscape-O-Rama: The exhibition landscape at Somerset House and the rise of popular landscape entertainments / Ann Bermingham -- Turner fires a gun / Michael Rosenthal -- Crowds and connoisseurs: looking at genre painting at Somerset House / David H. Solkin -- Art in the dark: viewing and exhibiting sculpture at Somerset House / Alison yarrington -- Watercolourists and watercolours at the royal Academy, 1780-1836 / Greg Smith -- Exhibiting architecture: strategies of representation in English architectural exhibition drawings, 1760-1836 / Nicholas Savage -- Printmakers and the Royal Academy Exhibitions, 1780-1836 / Sarah Hyde -- Foreign exhibitors and the British School at the Royal Academy, 1768-1823 / Anne Puetz -- Taste and the multitude: The Somerset House Exhibitions in continental eyes / William Vaughan. |
| 520 | $a"On May 1, 1780, England's Royal Academy of Arts opened its twelfth annual exhibition, the first to be held in the ... Somerset House. For the next fifty-seven years, the Great Room of Somerset House effectively defined the center of the London art world.... Such great exhibition performers as Joshua Reynolds, Thomas Lawrence, John Constable, J. M. W. Turner, and David Wilkie sharpened their skills during these stimulating decades. In this extensively illustrated book, seventeen renowned experts revisit and assess the Somerset House years, a period of great achievement and central importance in the history of British art. The book's contributors view the Somerset House phenomenon from a broad range of perspectives. They deal with the physical nature of the exhibitions, the audience, the role of the press, the Royal Academy's place within the larger world of urban entertainments, and how the conditions of display shaped and even transformed patterns of art production. In addition, they explore such topics as the tactics of exhibitors in different genres of painting, the exhibition histories of works in other media, and the impact on foreign artists and observers of an increasingly self-confident national school of British art"--Publisher's description. | |
| 588 | $aDescription based on print record and online resource (A&AePortal, viewed on July 1, 2019). | |
| 610 | 20 | $aRoyal Academy of Arts (Great Britain) |
| 610 | 20 | $aSomerset House (London, England) |
| 610 | 27 | $aRoyal Academy of Arts (Great Britain)$2fast$0(OCoLC)fst00542341 |
| 610 | 27 | $aSomerset House (London, England)$2fast$0(OCoLC)fst00773010 |
| 648 | _7 | $a1700-1899$2fast |
| 650 | _0 | $aArt and society$zEngland$zLondon. |
| 650 | _0 | $aArt, British$y18th century$vExhibitions. |
| 650 | _0 | $aArt, British$y19th century$vExhibitions. |
| 650 | _7 | $aArt and society.$2fast$0(OCoLC)fst00815432 |
| 650 | _7 | $aArt, British.$2fast$0(OCoLC)fst00816044 |
| 650 | _7 | $aArt.$2fast$0(OCoLC)fst00815177 |
| 651 | _7 | $aEngland$zLondon.$2fast$0(OCoLC)fst01204271 |
| 655 | _7 | $aExhibition catalogs.$2fast$0(OCoLC)fst01424028 |
| 700 | 1_ | $aSolkin, David H.,$eeditor. |
| 776 | 08 | $iPrint version:$tArt on the line.$dNew Haven, Conn. : Published for the Paul Mellon Centre for Studies in British Art and the Courtauld Institute Gallery by Yale University Press, ©2001$z0300090919$w(DLC) 2001026307$w(OCoLC)46872205 |
| 856 | 40 | $3A&AePortal (Yale University Press)$uhttps://www.aaeportal.com/?id=-18327 |