Includes bibliographical references (pages [189]-212) and index.
Introduction: Black theatre and American society -- "The mirror up to nature": modernist aesthetics and racial authenticity in African American theatre, 1895-1900 -- "Glimpses of higher possibilities": class and race in African American theatre during the early Progressive Era -- Rewriting the body: Aida Overton Walker and the social formation of cakewalking -- "Have you ever seen anyone stick so close to a cracker?": parody, romance, and history in Williams and Walker's Abyssinia -- "The ladder of fame": pragmatic ideology and overlapping diasporas in African American theatre, 1906-1910 -- "A way of telling your stuff": the past is now present