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LEADER | 01197mam a2200337 a 4500 | |
001 | 9942954443602122 | |
005 | 20040326142938.0 | |
008 | 980504s1999 nyua b 001 0 eng | |
010 | $a 98007853 | |
020 | $a0195106121 (pbk. : alk. paper) | |
020 | $a0195105486 (alk. paper) | |
035 | $a(OCoLC)39157399 | |
035 | $9AXW2033UW | |
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040 | $aDLC$beng$cDLC$dYDX$dGZM | |
049 | $aGZMA | |
050 | 00 | $aPN1992.8.A34$bZ66 1999 |
082 | 00 | $a791.45/6520396073$221 |
100 | 1_ | $aZook, Kristal Brent. |
245 | 10 | $aColor by Fox :$bthe Fox network and the revolution in Black television /$cKristal Brent Zook. |
264 | _1 | $aNew York :$bOxford University Press,$c1999. |
300 | $aix, 148 pages, 16 unnumbered pages of plates :$billustrations ;$c21 cm. | |
336 | $atext$btxt$2rdacontent | |
337 | $aunmediated$bn$2rdamedia | |
338 | $avolume$bnc$2rdacarrier | |
490 | 1_ | $aW.E.B. Du Bois Institute |
504 | $aIncludes bibliographical references (pages 118-142) and index. | |
650 | _0 | $aAfrican Americans on television. |
650 | _0 | $aAfrican Americans in television broadcasting. |
830 | _0 | $aW.E.B. Du Bois Institute. |
997 | $aMARCIVE |
LEADER | 03394cam a2200553Ia 4500 | |
001 | 991022156342002122 | |
005 | 20230118172009.0 | |
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008 | 980504s1999 nyua ob 001 0 eng d | |
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020 | $a9780195355659$q(electronic bk.) | |
020 | $a0195355652$q(electronic bk.) | |
020 | $a9780195106121$q(pbk. ;$qalk. paper) | |
020 | $a0195106121$q(pbk. ;$qalk. paper) | |
020 | $z0195105486$q(Cloth) | |
020 | $z9780195105483 | |
020 | $z0195106121$q(pbk. ;$qalk. paper) | |
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050 | _4 | $aPN1992.8.A34$bZ66 1999eb |
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082 | 04 | $a791.45/6520396073$221 |
100 | 1_ | $aZook, Kristal Brent,$eauthor. |
245 | 10 | $aColor by Fox :$bthe Fox network and the revolution in Black television /$cKristal Brent Zook. |
264 | _1 | $aNew York :$bOxford University Press,$c1999. |
300 | $a1 online resource (ix, 148 pages) :$billustrations. | |
336 | $atext$btxt$2rdacontent | |
337 | $acomputer$bc$2rdamedia | |
338 | $aonline resource$bcr$2rdacarrier | |
490 | 1_ | $aW.E.B. Du Bois Institute |
504 | $aIncludes bibliographical references (pages 108-142) and index. | |
505 | 0_ | $aPART I: COLOR AND CASTE: Blood is thicker than mud: C-Note goes to Compton on The Fresh Prince of Bel Air -- High yella bananas and hair weaves: The Sinbad Show -- Ralph Farquhar's South Central and Pearl's Place to Play: why they failed before Moesha hit -- PART 2: GENDER AND SEXUALITY: Sheneneh, gender-fuck, and romance: Martin's thin line between love and hate -- Living Single and the "Fight for Mr. Right": Latifah don't play -- PART 3: SOCIAL MOVEMENT: Borica Power in the boogie-down Bronx: Puerto Rican nationalism on New York Undercover. |
520 | $aOffering an examination of the explosion of black television programming in the 1980s and 1990s, this book provides, an interpretation of black TV based in both journalism and critical theory. It incorporates interviews with executives, producers, and stars such as Sinbad and Quincy Jones. | |
588 | 0_ | $aPrint version record. |
650 | _0 | $aAfrican Americans on television. |
650 | _0 | $aAfrican Americans in television broadcasting. |
650 | _6 | $aNoirs américains à la télévision. |
650 | _6 | $aNoirs américains dans l'industrie de la télévision. |
650 | _7 | $aPERFORMING ARTS$xTelevision$xReference.$2bisacsh |
650 | _7 | $aAfrican Americans in television broadcasting.$2fast$0(OCoLC)fst00799736 |
650 | _7 | $aAfrican Americans on television.$2fast$0(OCoLC)fst00799744 |
650 | 17 | $aNegers.$2gtt |
650 | 17 | $aTelevisie.$2gtt |
776 | 08 | $iPrint version:$aZook, Kristal Brent.$tColor by Fox.$dNew York : Oxford University Press, 1999$z0195105486$w(DLC) 98007853$w(OCoLC)39157399 |
830 | _0 | $aW.E.B. Du Bois Institute. |
856 | 40 | $uhttp://hdl.handle.net/2027/heb.08288.0001.001 |