Includes essays previously published in v. 94, no. 1 (1995) of the South Atlantic quarterly.
Discography: pages [389]-394.
Includes bibliographical references and index.
Introduction / Cecelia Tichi -- Sing me a song about ramblin' man: visions and revisions of Hank Williams in country music / Christopher Metress -- Blue moon of Kentucky rising over the mystery train: the complex construction of country music / David Sanjek -- Bloody daggers and lonesome graveyards: the gothic and country music / Teresa Goddu -- A musical legacy, a way of life: a photo essay / Charmaine Lanham -- Commercial (and/or?) folk: the bluegrass industry and bluegrass traditions / Mark Fenster -- Mountains of contradictions: gender, class, and region in the star image of Dolly Parton / Pamela Wilson -- Keeping faith: evangelical performance in country music / Curtis W. Ellison -- Girls with guitars - and fringe and sequins and rhinestones, silk, lace, and leather / Mary A. Bufwack -- Event songs / Charles K. Wolfe -- Country green: the money in country music / Don Cusic -- Country music and the contemporary composer: the case of Paul Martin Zonn / Michael Kurek and Cecelia Tichi -- "My name is Sue! How do you do?": Johnny Cash as lesbian icon / Teresa Ortega -- The dialectic of hard-core and soft-shell country music / Richard A. Peterson --"The sad twang of mountain voices": Thomas Hart Benton's Sources of country music / Vivien Green Fryd -- Mecca for the country music scholar / Ronnie Pugh -- Country music, seriously: an interview with Bill C. Malone / Cecelia Tichi -- Reading the row / Christine Kreyling -- The metric makings of a country hit / Jocelyn Neal -- "The voice of woe": Willie Nelson and evangelical spirituality / T. Walter Herbert -- "I'll reap my harvest in heaven": Fred Rose's acquaintance with country music / John W. Rumble -- Jim Crow and the pale maiden: gender, color, and class in Stephen Foster's "Hard times" / Amy Schrager Lang