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| 024 | 7_ | $a10.4324/9781315586847$2doi |
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| 245 | 00 | $aHistorical interplay in French music and culture, 1860-1960 /$cedited by Deborah Mawer. |
| 264 | _1 | $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c[2018]. |
| 264 | _4 | $c©2018 |
| 300 | $a1 online resource (xvi, 270 pages) :$billustrations, photographs | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 520 | 2_ | $a"This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860-1960, and its own historical 'others', referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers' celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers."--Provided by publisher |
| 588 | 0_ | $aDescription based on print version record. |
| 504 | $aIncludes bibliographical references and index. | |
| 505 | 00 | $tPart, I French music and culture, 1860-1930 --$tchapter Introduction --$tRevisiting French musical history /$rDeborah Mawer --$tchapter 1 Patrimoine in French music --$tLayers and crosscurrents from the Romantics to the 1920s /$rKatharine Ellis --$tchapter 2 'Le Paradis deux fois perdu' --$tDebussy, Watteau and the fête galante /$rRichard Langham Smith --$tchapter 3 Saint-Saëns, d'Indy and the Rameau Œuvres complètes --$tNew light on the Zoroastre editorial project (1914) /$rGraham Sadler --$tchapter 4 Adventures in gastromusicology --$tSatie, La Sirène and Trois petites pièces montées (1919) /$rCaroline Potter --$tchapter 5 Le Tombeau de Ronsard in La Revue musicale (1924) --$tMemory and historical interplay /$rHelen Julia Minors --$tpart, II French music and culture, 1930-1960 --$tchapter 6 Beyond neoclassicism --$tSymphonic form, catharsis and political commentary in Barraine's Deuxième symphonie (1938) /$rLaura Hamer --$tchapter 7 Tristan und Isolde in occupied Paris, 1941 --$tA convenient solution to France's Wagner problem? /$rRachel Orzech --$tchapter 8 Historical French music in French feature films of the Occupation years /$rIsabel de Berrié --$tchapter 9 Jolivet's Rameau --$tTheory, practice and temporal interplay /$rDeborah Mawer --$tchapter 10 Jolivet's Beethoven --$tSupplementarity, topicality and alterity /$rJun Zubillaga-Pow --$tchapter 11 Commission and omission --$tThe canon according to Messiaen /$rChristopher Dingle. |
| 650 | _0 | $aMusic$zFrance$y19th century$xHistory and criticism. |
| 650 | _0 | $aMusic$zFrance$y20th century$xHistory and criticism. |
| 650 | _6 | $aMusique$0(CaQQLa)201-0047894$zFrance$0(CaQQLa)201-0047894$y19e siècle$0(CaQQLa)201-0373673$xHistoire et critique.$0(CaQQLa)201-0377571 |
| 650 | _6 | $aMusique$0(CaQQLa)201-0356887$zFrance$0(CaQQLa)201-0452039$y20e siècle$0(CaQQLa)201-0356887$xHistoire et critique.$0(CaQQLa)201-0356887 |
| 650 | _7 | $aMUSIC$xGenres & Styles$xClassical.$2bisacsh |
| 650 | _7 | $aMUSIC$xReference.$2bisacsh |
| 650 | _7 | $aMusic.$2fast$0(OCoLC)fst01030269 |
| 651 | _7 | $aFrance.$2fast$0(OCoLC)fst01204289 |
| 648 | _7 | $a1800-1999$2fast |
| 655 | _7 | $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635 |
| 700 | 1_ | $aMawer, Deborah,$d1961-$eeditor. |
| 776 | 08 | $iPrint version:$aMawer, Deborah.$tHistorical Interplay in French Music and Culture, 1860-1960.$bFirst edition.$dLondon : Taylor and Francis, 2016$z9781315586847 |
| 856 | 40 | $3EBSCOhost$uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1662139 |
| 856 | 40 | $3MyiLibrary$uhttp://www.myilibrary.com?id=1056375 |
| 856 | 40 | $3Taylor & Francis$uhttps://www.taylorfrancis.com/books/e/9781315586847 |
| 856 | 40 | $uhttps://0-www-taylorfrancis-com.pugwash.lib.warwick.ac.uk/books/9781317121817$zConnect to Taylor and Francis e-book |
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