Introduction -- Theatre, Theatrocracy, and the Politics of Pathos in the Athenian Lawcourt -- The Roman Advocate as Actor : Actio, Pronuntiatio, Prosopopoeia, and Persuasive Empathy in Cicero and Quintilian -- Courtroom Oratory, Forensic Delivery, and the Wayward Body in Medieval Rhetorical Theory -- Irreverent Performances, Heterodox Subjects, and the Unscripted Crowd from the Medieval Courtroom to the Stocks and Scaffold -- Performing Law in the Age of Theatre (c. 1500-1650) -- Legal Performance Education in Early Modern England -- Epilogue