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Japanese horror cinema and Deleuze : interrogating and reconceptualizing dominant modes of thought
- Author / Creator
- Available as
- Online
- Summary
-
"An analysis of Japanese horror films from the 1990s and 2000s using Deleuzian concepts"--
Details
- Creator
- Rachel Elizabeth Barraclough
- Format
- Books
- Language
- English
- Publication
-
- New York : Bloomsbury Academic, [2022]
- ©2022
- Physical Details
-
- 1 online resource (xii, 252 pages) : illustrations
- ISBNs
- 1501368311, 9781501368295, 9781501368318
- OCLC
- on1269410733
- Includes bibliographical references and index.
- List of figures -- Acknowledgements -- Preface -- Introduction -- Part One: Theory -- 1. Theoretical Intersections: The Japanese Horror Genre and National, Transnational and Global Flows -- 2. Theoretical Transformations: The Perspectives of Gilles Deleuze -- Part Two: Case-Studies -- 3. The "Any-Space-Whatever", "Becoming-Woman" and Ju-On: The Grudge (2002) -- 4. Auteurship, Adaptation and the Molecularity of Audition (1999) -- 5. Kairo (2001): Cosmicism and "Becoming-Machine" -- Conclusion -- Bibliography -- Index