Introduction / Thomas Herron, Denna J. Iammarino, and Maryclaire Moroney -- Part I. Ideologies -- The transatlantic colonial context: John Derricke versus Edmund Spenser / Brian C. Lockey -- Captain and Kern and Knight-in-Arms: martial identities and the subject of conquest in Derricke's Image of Irelande / Maryclaire Moroney -- Part II. Archaeologies -- Animals make the man: violence, masculinity, and the colonial project in Derricke's Image of Ireland / John Soderberg -- 'Obedientia Civium Urbis Felicitas': Sir Henry Sidney's return to Dublin as depicted in Derricke's Image of Irelande / Bríd McGrath -- Derricke's Image of Irelande and late sixteenth-century Dublin / James Lyttleton -- Part III. Print and publication -- Derricke, Day, and the Dutch, or a tale of woodcuts and woodkerns / Stuart Kinsella -- 'Framed and clothed with variety': print culture, multimodality, and visual design in Derricke's Image of Ireland / Andie Silva -- Scotland's Image of Ireland: Scott, Small, and the Edinburgh edition / Willy Maley and Alasdair Thanisch -- Part IV. Influences -- Anxiety and influence: Derricke's Image of Ireland and the Mirror for Magistrates tradition / Scott Lucas -- 'Patterns of rebellion': Derricke's rebel poems / Elisabeth Chaghafi -- Irish apocalypse: Derrick, Dürer, and Foxe / Thomas Herron -- Part V. Interpretations -- Clothed with variety: discovering the formal and figurative texture of Derricke's Image of Irelande / Matthew Woodcock -- Why read between the lines?: Derricke, paratext, and poetic reception / Denna J. Iammarino -- John Derricke, Edmund Spenser, and the white wand of justice and equity / William O'Neil -- 'Aspice spectator sic me docuere parentes': aesthetico-political misprision in Derricke's A discoverie of Woodkarne / Thomas Cartelli