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The Brasov tablature : (Brasov music manuscript 808) : German keyboard studies 1680-1684
- Available as
- Online
- Summary
-
"The Brasov Tablature contains extensive keyboard fingering, rare in late seventeenth-century music, and presents one of the earliest sets of preludes in successive keys. The tablature contains a c...
"The Brasov Tablature contains extensive keyboard fingering, rare in late seventeenth-century music, and presents one of the earliest sets of preludes in successive keys. The tablature contains a collection of pieces representative of the period's German keyboard genre, including preludes, fugues, toccatas, chorale preludes, a fantasia, and a capriccio." --Provided by publisher.
Details
- Creator
- edited by John H. Baron
- Format
- Music Scores
- Language
- No linguistic content
- Contributors
- Publication
-
- Middleton, Wisconsin : A-R Editions, Incorporated, 2021
- ©1982
- Physical Details
-
- 1 online resource (xv, 88 pages, 4 unnumbered pages of plates) : facsimiles
- data file
- ISBNs
- 9781987206654, 1987206657, 9780895791627, 9780895791627
- OCLC
- on1263312809
- For organ, harpsichord, or clavichord.
- Edited from music manuscript 808 in the Brasov City Library.
- Bibliography: pages xv.
- Staff notation.
- Praeambulum in C minor ; Praeludium in C major ; Praeambulum in D minor ; Praeludium in D major ; Praeambulum in E ; Praeludium in F ; Praeambulum in G minor ; Praeludium in G major ; Praeambulum in A minor ; Praeludium in A major ; Praeambulum in B-flat ; Praeludium in B ; Capriccio on brevem bassum / Johann Heinrich Kittel -- Concordantiae in C -- Praeambulum on "Ich ruff zu dir, Herr Jesu Christ" -- Praeambulum in C -- Praeambulum in D -- Praeambulum in A -- Praeambulum in A -- Praeludium in A -- Praeludium in G -- Praeludium in G -- Praeludium in F -- Praeludium of the sixth tone in F -- Praeludium of the fourth tone in E -- Praeambulum of the seventh and eighth tones in G major -- Praeludium of the first and second tones in G "February second" -- Praeambulum of the eleventh and twelfth tones in D major -- Praeambulum of the seventh and eighth tones transposed to a major -- Praeambulum of the ninth and tenth tones in A -- Praeludium of the eleventh and twelfth tones in F -- Praeambulum of the eleventh and twelfth tones in C -- Praeludium of the fifth and sixth tones in B-flat -- Fuga in G on "Ach wie sehnlich" -- Fuga in A on "Was mein Gott will" -- Fuga or variation in F on "Wo Gott zum haus nicht graben" -- Fuga in D -- Fuga in D -- Fuga in C on "allein zu dir, Herr Jesu Christ ; Fuga in E on "Erbarm dich mein o Herre Gott" / Johann Ulich -- Fuga in C -- Fuga in G -- Fuga in F -- Fuga in A -- Fuga in G -- Fuga in G -- Fuga of the second tone in G -- Fuga / Signor Johann Jakob Froberger -- Fuga in A / Berhard Meyer -- Fuga in A -- Praeludium in G -- Praeludium in G minor -- Praeludium in E -- Praeludium in G minor -- Praeludium in E -- Praeludium in E -- Fuga of the ninth and tenth tones in D -- Fuga in D -- Fuga of the third and fourth tones in A major -- Fuga in G -- Fuga in D -- Fuga of the seventh and eighth tones in C -- Fuga in D -- Fuga in A minor -- Fuga of the second tone in D major -- Fuga in G for February 1 -- Fuga in D -- Fuga in G -- Toccata in D -- Toccata in G -- Toccata in C, "the fifth of February" -- Toccata in E -- Toccata of the second tone in G -- Toccata of the third tone, "Durch Mordantam" ; Fuga somplex of the third mode / Bernhard Meyer -- Fantasia in G -- Principium of the eighth tone in G major -- Magnificat, Intonation of the fourth tone in E -- Magnificat, Verse 1 of the eighth tone in G -- Magnificat, Verse 2 in G, Chorale in dicant with two keyboards -- Magnificat, Verse 3 in G -- Magnificat, Verse 5 in G, Chorale in bass -- Magnificat, Verse 6, Tutti -- Fuga in E / Daniel Croner