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Revisiting women's cinema : feminism, socialism, and mainstream culture in modern China
- Author / Creator
- Available as
- Online
- Summary
-
"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."-...
"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--Provided by publisher.
Details
- Creator
- Lingzhen Wang
- Format
- Books
- Language
- English
- Publication
-
- Durham : Duke University Press, 2020
- Physical Details
-
- 1 online resource (xiv, 293 pages) : illustrations
- data file
- ISBNs
- 1478010800, 9781478009757, 1478012331, 1478009756, 9781478010807, 9781478012337
- OCLC
- on1206357395
- Includes bibliographical references and index.
- Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema -- The Articulation of Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957) -- Socialist Experimentalism, Critical Revision, and Gender Difference in Dong Kena's Small Grass Grows on the Kunlun Mountains (1962) -- Independent Feminist Practice in 1980s Post-Mao China: The Gendered Personal, Sexual Difference, and Universal Female Consciousness Film Theory, Avant-gardism, and the Rise of Masculine Aesthetics in 1980s Chinese Mainstream Cinema -- Alternative Experimental Cinema: Zhang Nuanxin's Socially Committed Mainstream Film Practice of the 1980s -- The Black Silk Velvet Aesthetic: Universal Cultural Feminism and Chinese Neotraditionalism in Huang Shuqin's Woman Demon Human (1987)