Balanchine Foundation video archives. Arthur Mitchell coaching the Pas de deux from Agon

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Summary

Arthur Mitchell, who created the male role in the pas de deux of George Balanchine's Agon for the New York City Ballet in 1957, coaches both roles for his Dance Theatre of Harlem dancers. In the in...

Arthur Mitchell, who created the male role in the pas de deux of George Balanchine's Agon for the New York City Ballet in 1957, coaches both roles for his Dance Theatre of Harlem dancers. In the interview section, he discusses the creation of Agon and other Balanchine ballets including the partnering aspects and details of the way in which Balanchine taught specific steps and movements. He also reminisces about the racial issues involved with his participation in this work and in society during the 1950's, and Stravinsky's influence during the dress rehearsal process.

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