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Bilson and Field consider the realization of the aspects of notation that Bilson presented in Knowing the score, especially in regard to work involving more than one instrument. Includes an intervi...
Bilson and Field consider the realization of the aspects of notation that Bilson presented in Knowing the score, especially in regard to work involving more than one instrument. Includes an interview with Sir Nicholas Kenyon, director of the Barbican Center in London, with fortepianist Kristian Bezuidenhout.