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| LEADER | 06249ccm a2201021Mi 4500 | |
| 001 | 991022477001002122 | |
| 005 | 20230118183909.0 | |
| 006 | m o d | |
| 007 | cr |n |||auau| | |
| 008 | 181105t20162016wiusgae obdehi n ger d | |
| 020 | $a9781987200492$q(online) | |
| 020 | $a1987200497 | |
| 020 | $z9780895798305$q(print) | |
| 024 | 7_ | $a10.31022/C100$2doi |
| 028 | 32 | $aC100$bA-R Editions, Inc.$q(score) |
| 028 | 32 | $aC100P$bA-R Editions, Inc.$q(parts) |
| 035 | $a(OCoLC)1079233772 | |
| 035 | $a(OCoLC)on1079233772 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)9913001501702121 | |
| 040 | $aAREDI$beng$erda$epn$cAREDI$dOCLCO$dOCLCF | |
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| 043 | $ae-gx--- | |
| 046 | $o1770$p1815$2edtf | |
| 048 | $avn01$aka01 | |
| 048 | $avn01$asa01$aka01 | |
| 048 | $avn02$aka01 | |
| 049 | $aGZMA | |
| 050 | _4 | $aM2$b.R2381 v.100 |
| 050 | _4 | $aM1621.4$bG47 2016 |
| 082 | 04 | $a782.43$223 |
| 245 | 00 | $aGerman settings of Ossianic texts, 1770-1815 /$cedited by Sarah Clemmens Waltz. |
| 264 | _1 | $aMiddleton, Wisconsin :$bA-R Editions, Inc.,$c2016. |
| 264 | _4 | $c©2016 |
| 300 | $a1 online resource (1 score (xlviii, 156 pages, 6 pages of plates)) :$bfacsimiles. | |
| 336 | $anotated music$bntm$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 382 | 01 | $asinger$n1$apiano$n1$s2$2lcmpt |
| 382 | 01 | $asinger$n1$aviolin$n1$apiano$n1$s3$2lcmpt |
| 382 | 01 | $asinger$n2$apiano$n1$s3$2lcmpt |
| 490 | 1_ | $aRecent researches in the music of the Classical Era ;$v100 |
| 490 | 1_ | $aRecent researches in Music Online,$x2577-4573 |
| 500 | $aPrincipally for voice and piano; the 4th and 12th works with violin obbligato; the 9th work is a duet. | |
| 546 | $aGerman words (or German and English words, 12th work), translated from the English of James Macpherson, also printed as texts on pages xxxv-xlviii. | |
| 546 | $bStaff notation. | |
| 500 | $aEdited principally from the first editions. | |
| 500 | $aScore and performance parts are available separately from the publisher. | |
| 500 | $aPart set includes violin parts for "Ossians Sonnengesang" and "Ossian an die untergehende Sonne". | |
| 500 | $aIncludes introduction and critical report. | |
| 520 | $a"This edition contains vocal works with keyboard accompaniment setting Ossianic texts by German composers. James Macpherson's Works of Ossian, purported to be prose translations of Gaelic poetry handed down in oral tradition from the third-century bard Ossian, was viewed as comparable with Homer and Shakespeare. Hardly a poet or composer of the period is free of Ossianic influence, though very few of the numerous settings of these texts (besides Schubert's and Brahms's) are known today. Among others, this volume contains Johann Rudolf Zumsteeg's lengthy Colma, known for having influenced Schubert's through-composed style, and Carl Friedrich Zelter's surprisingly dramatic setting of the same text. Other settings are by Neefe, Seckendorff, Reichardt, Kunzen, Gt̲zloff, and Himmel, and many were distinctly praised by contemporary critics. These frequently melodramatic and unusual settings link the Sturm und Drang of the 1770s to nineteenth-century musical Romanticism." --Provided by publisher. | |
| 505 | 00 | $tUllin zum tapfern Carthon /$rChristian Gottlob Neefe --$tDauras Trauer /$rKarl Siegmund Freiherr von Seckendorff --$tDarthulas Grabesgesang /$rSeckendorff --$tOssians Sonnengesang /$rJohann Rudolf Zumsteeg --$tOssian auf Slimora /$rZumsteeg --$tColma : ein Gesang Ossians /$rZumsteeg --$tKolmas Klage /$rJohann Friedrich Reichardt --$tArmins Klage um seine Kinder /$rReichardt --$tKolnadona /$rReichardt --$tAriette aus der Oper Ossians Harfe /$rFriedrich Ludwig Aemilius Kunzen --$tOssians Klage um Uthal und Ninathona /$rFriedrich Götzloff --$tOssian an die untergehende Sonne /$rFriedrich Heinrich Himmel --$tColma : ein altschottisches Fragment /$rCarl Friedrich Zelter. |
| 588 | 0_ | $aOnline resource (A-R Editions, viewed November 5, 2018). |
| 504 | $aIncludes bibliographical references. | |
| 600 | 00 | $aOssian,$dactive 3rd century$vSongs and music. |
| 600 | 10 | $aMacpherson, James,$d1736-1796$vMusical settings. |
| 600 | 17 | $aMacpherson, James,$d1736-1796.$2fast$0(OCoLC)fst00014688 |
| 600 | 07 | $aOssian,$dactive 3rd century.$2fast$0(OCoLC)fst01839671 |
| 650 | _0 | $aSongs with piano$y18th century$vScores and parts. |
| 650 | _0 | $aSongs with piano$y19th century$vScores and parts. |
| 650 | _0 | $aSongs with instrumental ensemble$vScores and parts. |
| 650 | _0 | $aVocal duets with piano$vScores and parts. |
| 650 | _0 | $aSongs, German$zGermany$y18th century$vScores and parts. |
| 650 | _0 | $aSongs, German$y19th century$vScores and parts. |
| 651 | _7 | $aGermany.$2fast$0(OCoLC)fst01210272 |
| 648 | _7 | $a1700-1899$2fast |
| 655 | _7 | $aSongs.$2lcgft |
| 655 | _7 | $aScores.$2lcgft |
| 655 | _7 | $aParts (Music)$2lcgft |
| 655 | _7 | $aArt music.$2lcgft |
| 655 | _7 | $aArt music.$2fast$0(OCoLC)fst01920007 |
| 655 | _7 | $aMusical settings.$2fast$0(OCoLC)fst01423813 |
| 655 | _7 | $aParts (Music)$2fast$0(OCoLC)fst01692889 |
| 655 | _7 | $aScores.$2fast$0(OCoLC)fst01692898 |
| 655 | _7 | $aSongs.$2fast$0(OCoLC)fst01726744 |
| 655 | _7 | $aSongs and music.$2fast$0(OCoLC)fst01985328 |
| 700 | 1_ | $aWaltz, Sarah Clemmens,$eeditor. |
| 700 | 1_ | $aMacpherson, James,$d1736-1796,$eauthor. |
| 700 | 1_ | $aNeefe, Christian Gottlob,$d1748-1798,$ecomposer. |
| 700 | 1_ | $aSeckendorff, Karl Siegmund,$cFreiherr von,$d1744-1785,$ecomposer. |
| 700 | 1_ | $aZumsteeg, Johann Rudolf,$d1760-1802,$ecomposer. |
| 700 | 1_ | $aReichardt, Johann Friedrich,$d1752-1814,$ecomposer. |
| 700 | 1_ | $aKunzen, Friedrich Ludwig Aemilius,$d1761-1817,$ecomposer. |
| 700 | 1_ | $aGötzloff, Friedrich,$ecomposer. |
| 700 | 1_ | $aHimmel, Friedrich Heinrich,$d1765-1814,$ecomposer. |
| 700 | 1_ | $aZelter, Carl Friedrich,$d1758-1832,$ecomposer. |
| 776 | 08 | $iPrint version:$tGerman settings of Ossianic texts, 1770-1815$dMiddleton, Wisconsin : A-R Editions, Inc., [2016].$w(OCoLC)944343804$z9780895798305 |
| 830 | _0 | $aRecent researches in the music of the Classical Era;$v100. |
| 830 | _0 | $aRecent researches in music online |
| 856 | 40 | $uhttps://doi.org/10.31022/C100 |