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| LEADER | 04062ccm a2200685Mi 4500 | |
| 001 | 991022477021602122 | |
| 005 | 20240517043638.0 | |
| 006 | m o d | |
| 007 | cr |n||||auau| | |
| 008 | 190815t20192002wiuopa obdehi n ita d | |
| 020 | $a9781987203271$q(online) | |
| 020 | $a1987203275 | |
| 020 | $z9780895795069$q(print) | |
| 024 | 7_ | $a10.31022/B119$2doi |
| 028 | 32 | $aB119$bA-R Editions, Inc. |
| 035 | $a(OCoLC)1125958890 | |
| 035 | $a(OCoLC)on1125958890 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)9913001501202121 | |
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| 045 | 0_ | $bd1639 |
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| 050 | _4 | $aM2$b.R238 v.119 |
| 050 | _4 | $aM1500.V58$bG35 2019 |
| 082 | 04 | $a782.1$223 |
| 100 | 1_ | $aVittori, Loreto,$d-1670,$ecomposer. |
| 245 | 13 | $aLa Galatea /$cLoreto Vittori ; edited by Thomas D. Dunn. |
| 264 | _1 | $aMiddleton, Wisconsin :$bA-R Editions, Inc.,$c2019. |
| 264 | _4 | $c©2002 |
| 300 | $a1 online resource (1 score (xlix, 182 pages, 2 pages of plates)) :$bfacsimiles. | |
| 336 | $anotated music$bntm$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 347 | $adata file$2rda | |
| 490 | 1_ | $aRecent researches in the music of the Baroque Era ;$v119 |
| 490 | 1_ | $aRecent researches in Music Online,$x2577-4573 |
| 500 | $aOpera in 3 acts; libretto by the composer. | |
| 546 | $aItalian words; also printed as text, with English translation by Dunn and Martin Morell. | |
| 500 | $aEditorial and biographical notes on pages vii-xiii; critical report on pages 179-182. | |
| 520 | $a"Loreto Vittori's La Galatea, his only dramatic work for which the music survives, was published in 1639, quite likely as part of an attempt to regain favor with the composer's Roman employers and patrons following a questionable event in his personal life. Although dedicated to Vittori's principal patron, Cardinal Antonio Barberini, the work does not appear to have been performed under Barberini sponsorship, but instead received its premiere in Naples in 1644. The text represents a great expansion, in both characterization and dramatic range, of Gabriello Chiabrera's pleasant but static version of the Acis, Galatea, and Polyphemus myth. An expanded and considerably revised version of the libretto was published in 1655 in a failed effort to interest Flavio Chigi, another patron, in supporting further performances. Musically, the opera is quite diverse, and includes strophic songs, large variation sets for chorus alternating with smaller forces, and canzonette, as well as recitatives that, when necessary, ably mirror highly charged emotional situations. Less grandiose then some other operatic works of the period, La Galatea is peopled with multi-dimensional characters and contains moments of great dramatic intensity, the reason, perhaps, for the unusually warm praise it received from music historians in the early part of the twentieth century." --$cProvided by publisher. | |
| 588 | 0_ | $aOnline resource (A-R Editions, viewed October 28, 2019). |
| 504 | $aIncludes bibliographical references. | |
| 650 | _0 | $aOperas$zItaly$y17th century$vScores. |
| 650 | _0 | $aGalatea$c(Nereid)$vDrama. |
| 650 | _6 | $aOpéras$zItalie$y17e siècle$vPartitions. |
| 650 | _7 | $aOperas$xScores$2fast |
| 651 | _7 | $aItaly$2fast$1https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP |
| 648 | _7 | $a1600-1699$2fast |
| 655 | _7 | $aDrama$2fast |
| 655 | _7 | $aOperas$2fast |
| 655 | _7 | $aScores$2fast |
| 655 | _7 | $aOperas.$2lcgft |
| 655 | _7 | $aScores.$2lcgft |
| 655 | _7 | $aPartitions (Musique)$2rvmgf |
| 700 | 1_ | $aDunn, Thomas D.,$eeditor. |
| 776 | 08 | $iPrint version:$aVittori, Loreto, -1670.$tGalatea.$dMiddleton, Wisconsin : A-R Editions, Inc., 2002.$w(OCoLC)49705414$z9780895795069 |
| 830 | _0 | $aRecent researches in the music of the Baroque Era ;$v119. |
| 830 | _0 | $aRecent researches in music online$x2577-4573 |
| 856 | 40 | $uhttps://doi.org/10.31022/B119 |