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This volume gathers and expands upon the results of the research project ?Theater, Garden, Bestiary: A Materialist History of Exhibitions,? held at ECAL/University of Art and Design Lausanne, and p...
This volume gathers and expands upon the results of the research project ?Theater, Garden, Bestiary: A Materialist History of Exhibitions,? held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.