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This critical study of Samuel Beckett's plays analyzes the use of disjointed body imagery, masks, abstract monologue and experimentations in film and video. The text argues that Beckett has been re...
This critical study of Samuel Beckett's plays analyzes the use of disjointed body imagery, masks, abstract monologue and experimentations in film and video. The text argues that Beckett has been responsible for a truly avant-garde departure from our concepts of the 'theatrical'.