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100 | 1_ | $aLin, Jenny,$eauthor. |
245 | 10 | $aAbove sea :$bcontemporary art, urban culture, and the fashioning of global Shanghai /$cJenny Lin. |
264 | _1 | $aManchester :$bManchester University Press,$c2019. |
300 | $axx, 177 pages, 8 unnumbered pages of plates :$billustrations (black and white, and color) ;$c24 cm. | |
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490 | 1_ | $aRethinking art's histories |
504 | $aIncludes bibliographical references and index. | |
520 | 8_ | $aShanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design - from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present. -- . |
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830 | _0 | $aRethinking art's histories. |
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100 | 1_ | $aLin, Jenny,$eauthor. |
245 | 10 | $aAbove sea :$bcontemporary art, urban culture, and the fashioning of global Shanghai /$cJenny Lin. |
264 | _1 | $aManchester :$bManchester University Press,$c2019. |
300 | $a1 online resource (xx, 177 pages, 8 unnumbered pages of plates) :$billustrations | |
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490 | 1_ | $aRethinking art's histories |
504 | $aIncludes bibliographical references and index. | |
520 | 8_ | $aShanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design - from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present. |
588 | 0_ | $aOnline resource; title from PDF title page (JSTOR, viewed December 2, 2020). |
505 | 0_ | $aFront matter; Cover; Title page; Copyright page; Contents; Illustrations; Preface: On naming; Acknowledgments; Notes on Chinese-to-English translations; Glossary; Introduction: Locating global Ưcontemporary art in global China; From the ruins of heaven on earth; Shanghai's art in fashion; Biennialization-as-banalization, promotion, and resistance; Installing a world city; From Shanghai to New York by way of conclusion; Epilogue: Forgotten corners; Bibliography; Index. |
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776 | 08 | $iPrint version:$aLin, Jenny.$tAbove sea.$dManchester : Manchester University Press, 2019$z1526132605$w(OCoLC)1028587284 |
830 | _0 | $aRethinking art's histories |
856 | 40 | $uhttps://muse.jhu.edu/book/67175 |