MARC Bibliographic Record

LEADER03152cam a2200493Ii 4500
001 991022317725702122
005 20181230110912.0
008 161024t20162016ctua c 000 0 eng d
035    $a(OCoLC)961118026
035    $a(OCoLC)ocn961118026
035    $a(EXLNZ-01UWI_NETWORK)9912652354602121
040    $aMMX$beng$erda$cMMX$dMMX$dOCLCO$dOCLCF$dNDD$dGZM
049    $aGZMA
050 _4 $aP94.5.A37$bV55 2016
100 1_ $aVillalongo, William,$d1975-$eauthor,$ecurator.
245 10 $aBlack pulp! /$cWilliam Villalongo, Mark Thomas Gibson.
264 _1 $a[New Haven, Conn.] :$bYale School of Art,$c[2016]
264 _4 $c©2016
300    $a88 pages :$bcolor illustrations ;$c26 cm
336    $atext$btxt$2rdacontent
336    $astill image$bsti$2rdacontent
337    $aunmediated$bn$2rdamedia
338    $avolume$bnc$2rdacarrier
500    $a"Published to accompany the exhibition . . . presented at Yale School of Art/Edgewood Gallery, New Haven, CT from January 19 through March 11, 2016, and at International Print Center New York (IPCNY), New York, NY from October 1 through December 3, 2016"--Title page verso.
520 8_ $a"'Black Pulp!' features 65 objects, including rare magazines, literary journals, novels, cartoons, and comics, as well as contemporary art from the Black Diaspora. It tells a story of black and non-black artists and publishers working together over 90 years to draw attention to the black experience, rebuff Jim Crow politics, and refute racist caricatures."--Yale news website article about 'Black Pulp' exhibition (viewed on October 24, 2016)
520    $a"The exhibition features influential Harlem Renaissance-era periodicals, such as The Crisisand Opportunity magazines, and rare art journals, such as Fire!! and Ebony & Topaz. It includes contributions from Emory University's Stuart A. Rose Library, the Schomburg Center for Research in Black Culture, the Library of Congress, and Yale University Art Gallery."--Yale news website article about 'Black Pulp' exhibition (viewed on October 24, 2016)
650 _0 $aAfrican Americans in mass media$vExhibitions.
650 _0 $aAfrican Americans in art$vExhibitions.
650 _0 $aAfrican Americans$xRace identity$vExhibitions.
650 _0 $aPrinting$xSocial aspects$xHistory$y20th century$vExhibitions.
650 _0 $aPrinting$xSocial aspects$xHistory$y21st century$vExhibitions.
650 _0 $aRadicalism and the press$zUnited States$vExhibitions.
650 _7 $aAfrican Americans in art.$2fast$0(OCoLC)fst00799722
650 _7 $aAfrican Americans in mass media.$2fast$0(OCoLC)fst00799731
650 _7 $aAfrican Americans$xRace identity.$2fast$0(OCoLC)fst00799666
650 _7 $aPrinting$xSocial aspects.$2fast$0(OCoLC)fst01076663
650 _7 $aRadicalism and the press.$2fast$0(OCoLC)fst01895158
651 _7 $aUnited States$2fast$0(OCoLC)fst01204155
648 _7 $a1900-2099$2fast
655 _7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 _7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1_ $aGibson, Mark Thomas,$d1980-$eauthor ,$ecurator.
710 2_ $aYale University.$bSchool of Art,$ehost institution.
710 2_ $aInternational Print Center New York,$ehost institution.
950    $a20181230$bdms$cc$dp$egls$9local

MMS IDs

Document ID: 9912652354602121
Network Electronic IDs:
Network Physical IDs: 9912652354602121
mms_mad_ids: 991022317725702122