LEADER | 05560cam a2200829 i 4500 |
001 |
991022314647002122 |
005 |
20190104051708.3 |
008 |
171003t20182018onca b 001 0 eng c |
016 |
7_
|
$a018991069$2Uk |
020 |
|
$a1487502230$q(hardback) |
020 |
|
$a9781487502232$q(hardback) |
035 |
|
$a(YBP)14845007 |
035 |
|
$a(OCoLC)1005117700 |
035 |
|
$a(OCoLC)on1005117700 |
035 |
|
$a(EXLNZ-01UWI_NETWORK)9912648055402121 |
040 |
|
$aYDX$beng$erda$cYDX$dCDX$dDKU$dSCO$dCHVBK$dOCLCO$dOCLCF$dOBE$dUKMGB |
042 |
|
$apcc |
043 |
|
$ae-uk-en |
049 |
|
$aGZMA |
050 |
_4
|
$aZ151.3$b.M45 2018 |
055 |
_3
|
$aZ151.3$bM45 2018 |
082 |
04
|
$a070.5094209/031$223 |
100 |
1_
|
$aMelnikoff, Kirk,$d1969-$eauthor. |
245 |
10
|
$aElizabethan publishing and the makings of literary culture /$cKirk Melnikoff. |
264 |
_1
|
$aToronto :$bUniversity of Toronto Press,$c[2018] |
264 |
_4
|
$c©2018 |
300 |
|
$axi, 291 pages :$billustrations ;$c24 cm. |
336 |
|
$atext$btxt$2rdacontent |
336 |
|
$astill image$bsti$2rdacontent |
337 |
|
$aunmediated$bn$2rdamedia |
338 |
|
$avolume$bnc$2rdacarrier |
490 |
1_
|
$aStudies in book and print culture |
504 |
|
$aIncludes bibliographical references (pages 239-279) and index. |
520 |
|
$aElizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary cultures in the decades following incorporation of the Stationers' Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. |
520 |
|
$aThe volume provides an overview of the full range of practices that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare's 'Hamlet', Thévet's 'The new found world', Constable's 'Diana', and Marlowe's 'Dido, Queen of Carthage'. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century."--From the dust jacket. |
505 |
00
|
$gIntroduction:$tBook-trade publishing ; Collaborations, obligations ; The rise of the publishing bookseller ; Literary makings --$g1.$tGeldings, "prettie inuentions," and "plaine knauery": Elizabethan book-trade publishing practices:$tAcquiring ; Compiling ; Reissuing ; Altering ; Translating ; Specializing --$g2.$tThomas Hacket, translation, and the wonders of the New World travel narrative:$tThe career of Thomas Hacket ; Travelling in the bookstalls ; Moving travel literature --$g3.$tRichard Smith's browsables: 'A hundredth sundry flowers' (1573), 'The fabulous tales of Aesop' (1577), and 'Diana' (1592, 1594?):$t'The career of Richard Smith' ; 'A hundredth sundry flowers' ; 'The fabulous tales of Aesop' ; 'Diana' --$g4.$tFlasket and Linley's 'The tragedy of Dido Queen of Carthage' (1594): reissuing the Elizabethan epyllion:$tPublishing at the Black Bear ; Reissuing Ovid --$g5.$tReading 'Hamlet' (1603): Nicholas Ling, sententiae, and republicanism:$tVending the republic ; Speculating with 'Hamlet' (1603). |
650 |
_0
|
$aBook industries and trade$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPublishers and publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPrinting$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aTransmission of texts$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature and society$zEngland$xHistory$y16th century. |
650 |
_0
|
$aBooks$xHistory$y16th century. |
651 |
_0
|
$aEngland$xIntellectual life$y16th century. |
650 |
_7
|
$aBuchhandel$2gnd |
650 |
_7
|
$aEnglisch.$2gnd |
650 |
_7
|
$aLiteratur.$2gnd |
650 |
_7
|
$aBook industries and trade$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aPublishers and publishing$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aLiterature publishing$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aLiterature and society$zEngland$xHistory$y16th century.$2idszbzes |
651 |
_7
|
$aEngland.$2gnd |
650 |
_7
|
$aBook industries and trade.$2fast$0(OCoLC)fst00836171 |
650 |
_7
|
$aBooks.$2fast$0(OCoLC)fst00836401 |
650 |
_7
|
$aIntellectual life.$2fast$0(OCoLC)fst00975769 |
650 |
_7
|
$aLiterature and society.$2fast$0(OCoLC)fst01000096 |
650 |
_7
|
$aLiterature publishing.$2fast$0(OCoLC)fst01000111 |
650 |
_7
|
$aPrinting.$2fast$0(OCoLC)fst01076612 |
650 |
_7
|
$aPublishers and publishing.$2fast$0(OCoLC)fst01083463 |
650 |
_7
|
$aTransmission of texts.$2fast$0(OCoLC)fst01154863 |
651 |
_7
|
$aEngland.$2fast$0(OCoLC)fst01219920 |
648 |
_7
|
$a1500-1599$2fast |
655 |
_7
|
$aHistory.$2fast$0(OCoLC)fst01411628 |
830 |
_0
|
$aStudies in book and print culture |
950 |
|
$a20190213$bgobi$cc$dp$egls$9local |
LEADER | 05157nam a22008415i 4500 |
001 |
991023182873602122 |
005 |
20230115052548.0 |
006 |
m|||||o||d|||||||| |
007 |
cr cnu|||||||| |
008 |
181207s2018 onc fo d z eng d |
020 |
|
$a1-4875-1494-8 |
020 |
|
$a1-4875-1493-X |
024 |
7_
|
$a10.3138/9781487514938$2doi |
035 |
|
$a(CKB)4340000000264809 |
035 |
|
$a(MiAaPQ)EBC5347702 |
035 |
|
$a(DE-B1597)498392 |
035 |
|
$a(OCoLC)1031706680 |
035 |
|
$a(DE-B1597)9781487514938 |
035 |
|
$a(OCoLC)1359028006 |
035 |
|
$a(MdBmJHUP)musev2_107607 |
035 |
|
$a(EXLCZ)994340000000264809 |
040 |
|
$aDE-B1597$beng$cDE-B1597$erda |
041 |
0_
|
$aeng |
043 |
|
$ae-uk-en |
044 |
|
$aonc$cCA-ON |
050 |
_4
|
$aZ151.3$b.M45 2018eb |
072 |
_7
|
$aDRA000000$2bisacsh |
072 |
_7
|
$aHIS037090$2bisacsh |
072 |
_7
|
$aLIT007000$2bisacsh |
072 |
_7
|
$aLIT019000$2bisacsh |
082 |
04
|
$a070.5094209/031$223 |
100 |
1_
|
$aMelnikoff, Kirk , $eauthor. |
245 |
10
|
$aElizabethan Publishing and the Makings of Literary Culture /$cKirk Melnikoff. |
264 |
_1
|
$aToronto : $bUniversity of Toronto Press, $c[2018] |
264 |
_4
|
$c©2018 |
300 |
|
$a1 online resource (xi, 291 pages) :$billustrations |
336 |
|
$atext$btxt$2rdacontent |
337 |
|
$acomputer$bc$2rdamedia |
338 |
|
$aonline resource$bcr$2rdacarrier |
490 |
0_
|
$aStudies in Book and Print Culture |
588 |
0_
|
$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Dez 2018) |
546 |
|
$aIn English. |
505 |
0_
|
$aGeldings, "prettie inuentions," and "plaine knauery" -- Thomas Hacket, translation, and the wonders of the New World travel narrative -- Richard Smith's browsables: A Hundreth Sundry Flowers (1573), The Fabulous Tales of Aesop (1577), and Diana (1592, 1594?) -- Flasket and Linley's The Tragedy of Dido Queen of Carthage (1594): reissuing the Elizabethan epyllion -- Reading Hamlet (1603): Nicholas Ling, Sententiae, and Republicanism |
520 |
|
$aElizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers'Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. The volume provides an overview of the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare's Hamlet, Thevet's The New Found World, Constable's Diana, and Marlowe's Dido, Queen of Carthage. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century |
650 |
_0
|
$aBook industries and trade$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPublishers and publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature and society$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPrinting$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aTransmission of texts$zEngland$xHistory$y16th century. |
651 |
_7
|
$aEngland$2gnd |
651 |
_7
|
$aEngland.$2fast$0(OCoLC)fst01219920 |
651 |
_6
|
$aAngleterre$xVie intellectuelle$y16e siecle. |
651 |
_0
|
$aEngland$xIntellectual life$y16th century. |
600 |
17
|
$aEnglisch ...$2gnd |
655 |
_7
|
$aHistory.$2fast$0(OCoLC)fst01411628 |
648 |
_7
|
$a1500-1599$2fast |
776 |
|
$z1-4875-0223-0 |
906 |
|
$aBOOK |
LEADER | 06301cam a2200973Ii 4500 |
001 |
991022442151602122 |
005 |
20230118182130.0 |
006 |
m o d |
007 |
cr mn||||||||| |
008 |
180419t20182018onca ob 001 0 eng d |
019 |
|
$a1035658608$a1036106848$a1097662915 |
020 |
|
$a9781487514938$q(electronic bk.) |
020 |
|
$a148751493X$q(electronic bk.) |
020 |
|
$z9781487502232$q(hardback) |
020 |
|
$z1487502230$q(hardback) |
035 |
|
$a(OCoLC)1031706680$z(OCoLC)1035658608$z(OCoLC)1036106848$z(OCoLC)1097662915 |
035 |
|
$a(OCoLC)on1031706680 |
035 |
|
$a(EXLNZ-01UWI_NETWORK)9912924239302121 |
037 |
|
$a22573/ctt22wbf5g$bJSTOR |
040 |
|
$aN$T$beng$erda$epn$cN$T$dJSTOR$dYDX$dEBLCP$dOCLCF$dCELBN$dIDB$dINT$dOCLCQ$dDEGRU$dOCLCQ$dAU@$dMERUC$dWAU$dOCL$dOCLCA$dUKAHL$dOCLCQ$dOSU |
043 |
|
$ae-uk-en |
049 |
|
$aGZMA |
050 |
_4
|
$aZ151.3$b.M45 2018eb |
055 |
13
|
$aZ151.3$bM45 2018 |
072 |
_7
|
$aLAN$x008000$2bisacsh |
072 |
_7
|
$aHIS037090$2bisacsh |
072 |
_7
|
$aLIT007000$2bisacsh |
072 |
_7
|
$aLIT019000$2bisacsh |
072 |
_7
|
$aDRA000000$2bisacsh |
082 |
04
|
$a070.5094209/031$223 |
084 |
|
$acci1icc$2lacc |
100 |
1_
|
$aMelnikoff, Kirk,$d1969-$eauthor. |
245 |
10
|
$aElizabethan publishing and the makings of literary culture /$cKirk Melnikoff. |
264 |
_1
|
$aToronto :$bUniversity of Toronto Press,$c[2018] |
264 |
_4
|
$c©2018 |
300 |
|
$a1 online resource (xi, 291 pages) :$billustrations |
336 |
|
$atext$btxt$2rdacontent |
337 |
|
$acomputer$bc$2rdamedia |
338 |
|
$aonline resource$bcr$2rdacarrier |
347 |
|
$adata file$2rda |
490 |
1_
|
$aStudies in book and print culture |
520 |
|
$aElizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers'Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. The volume provides an overview of the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare's Hamlet, Thévet's The New Found World, Constable's Diana, and Marlowe's Dido, Queen of Carthage. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century |
504 |
|
$aIncludes bibliographical references (pages 239-279) and index |
505 |
0_
|
$aGeldings, "prettie inuentions," and "plaine knauery" -- Thomas Hacket, translation, and the wonders of the New World travel narrative -- Richard Smith's browsables: A Hundreth Sundry Flowers (1573), The Fabulous Tales of Aesop (1577), and Diana (1592, 1594?) -- Flasket and Linley's The Tragedy of Dido Queen of Carthage (1594): reissuing the Elizabethan epyllion -- Reading Hamlet (1603): Nicholas Ling, Sententiae, and Republicanism |
588 |
|
$aDescription based on print version record |
600 |
17
|
$aZielke-Nadkarni, Andrea$d1956-$tSchlüsselqualifikationen für die Berufspraxis Englisch.$2gnd |
650 |
_0
|
$aBook industries and trade$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPublishers and publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPrinting$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aTransmission of texts$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature and society$zEngland$xHistory$y16th century. |
650 |
_0
|
$aBooks$xHistory$y16th century. |
651 |
_0
|
$aEngland$xIntellectual life$y16th century. |
650 |
_6
|
$aLivres$xIndustrie$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aÉdition$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aImprimerie$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aLittérature$xÉdition$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aTransmission de textes$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aLittérature et société$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aLivres$xHistoire$y16e siècle. |
651 |
_6
|
$aAngleterre$xVie intellectuelle$y16e siècle. |
650 |
_7
|
$aLANGUAGE ARTS & DISCIPLINES$xJournalism.$2bisacsh |
650 |
_7
|
$aHISTORY$xModern$y16th Century.$2bisacsh |
650 |
_7
|
$aBook industries and trade.$2fast$0(OCoLC)fst00836171 |
650 |
_7
|
$aBooks.$2fast$0(OCoLC)fst00836401 |
650 |
_7
|
$aIntellectual life.$2fast$0(OCoLC)fst00975769 |
650 |
_7
|
$aLiterature and society.$2fast$0(OCoLC)fst01000096 |
650 |
_7
|
$aLiterature publishing.$2fast$0(OCoLC)fst01000111 |
650 |
_7
|
$aPrinting.$2fast$0(OCoLC)fst01076612 |
650 |
_7
|
$aPublishers and publishing.$2fast$0(OCoLC)fst01083463 |
650 |
_7
|
$aTransmission of texts.$2fast$0(OCoLC)fst01154863 |
651 |
_7
|
$aEngland.$2fast$0(OCoLC)fst01219920 |
650 |
_7
|
$aBuchhandel$2gnd |
650 |
_7
|
$aLiteratur$2gnd |
651 |
_7
|
$aEngland$2gnd |
650 |
_7
|
$aBook industries and trade$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aPublishers and publishing$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aLiterature publishing$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aLiterature and society$zEngland$xHistory$y16th century.$2idszbzes |
648 |
_7
|
$a1500-1599$2fast |
655 |
_7
|
$aHistory.$2fast$0(OCoLC)fst01411628 |
776 |
08
|
$iPrint version:$aMelnikoff, Kirk, 1969-$tElizabethan publishing and the makings of literary culture.$dToronto ; Buffalo ; London : University of Toronto Press, [2018]$z1487502230$w(OCoLC)1005117700 |
830 |
_0
|
$aStudies in book and print culture |
856 |
40
|
$uhttps://www.degruyter.com/openurl?genre=book&isbn=9781487514938 |
LEADER | 05175cam a2200877Mi 4500 |
001 |
991023382897602122 |
005 |
20231013055428.0 |
006 |
m o d |
007 |
cr |||||||nn|n |
008 |
180419t20182018onc o 000 0 eng d |
020 |
|
$a9781487502232 |
020 |
|
$a1487502230 |
020 |
|
$a9781487514945 |
020 |
|
$a1487514948 |
020 |
|
$a9781487514938 |
020 |
|
$z148751493X |
020 |
|
$a148751493X |
035 |
|
$a(OCoLC)1359028006 |
035 |
|
$a(OCoLC)on1359028006 |
035 |
|
$a(EXLNZ-01UWI_NETWORK)9913985203202121 |
040 |
|
$aP@U$beng$erda$cP@U$dOCL$dOCLCQ$dOCLCO$dDEGRU |
049 |
|
$aGZMA |
050 |
_4
|
$aZ151.3$b.M45 2018eb |
082 |
04
|
$a070.5094209/031$qOCoLC$223/eng/20230216 |
100 |
1_
|
$aMelnikoff, Kirk,$d1969-$eauthor. |
245 |
10
|
$aElizabethan publishing and the makings of literary culture /$cKirk Melnikoff. |
264 |
_1
|
$aToronto :$bUniversity of Toronto Press,$c[2018] |
264 |
_4
|
$c[2018] |
300 |
|
$a1 online resource (312 pages) :$billustrations. |
336 |
|
$atext$btxt$2rdacontent |
337 |
|
$acomputer$bc$2rdamedia |
338 |
|
$aonline resource$bcr$2rdacarrier |
347 |
|
$adata file$2rda |
490 |
1_
|
$aStudies in book and print culture |
505 |
0_
|
$aGeldings, "prettie inuentions," and "plaine knauery" -- Thomas Hacket, translation, and the wonders of the New World travel narrative -- Richard Smith's browsables: A Hundreth Sundry Flowers (1573), The Fabulous Tales of Aesop (1577), and Diana (1592, 1594?) -- Flasket and Linley's The Tragedy of Dido Queen of Carthage (1594): reissuing the Elizabethan epyllion -- Reading Hamlet (1603): Nicholas Ling, Sententiae, and Republicanism |
520 |
|
$aElizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers'Company in 1557. Through an analysis of the often overlooked contributions of bookmen like Thomas Hacket, Richard Smith, and Paul Linley, Kirk Melnikoff tracks the crucial role that bookselling publishers played in transmitting literary texts into print as well as energizing and shaping a new sphere of vernacular literary activity. The volume provides an overview of the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, reissuing, and specialization. Four case studies together consider links between translation and the travel narrative; bookselling and authorship; re-issuing and the Ovidian narrative poem; and specialization and professional drama. Works considered include Shakespeare's Hamlet, Thevet's The New Found World, Constable's Diana, and Marlowe's Dido, Queen of Carthage. This exciting new book provides both a complement and a counter to recent studies that have turned back to authors and out to buyers and printing houses as makers of vernacular literary culture in the second half of the sixteenth century. |
588 |
|
$aDescription based on print version record. |
650 |
_0
|
$aBooks$xHistory$y16th century. |
650 |
_0
|
$aLiterature and society$zEngland$xHistory$y16th century. |
650 |
_0
|
$aTransmission of texts$zEngland$xHistory$y16th century. |
650 |
_0
|
$aLiterature publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPrinting$zEngland$xHistory$y16th century. |
650 |
_0
|
$aPublishers and publishing$zEngland$xHistory$y16th century. |
650 |
_0
|
$aBook industries and trade$zEngland$xHistory$y16th century. |
651 |
_0
|
$aEngland$xIntellectual life$y16th century. |
650 |
_6
|
$aLivres$xHistoire$y16e siècle. |
650 |
_6
|
$aLittérature et société$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aTransmission de textes$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aLittérature$xÉdition$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aImprimerie$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aÉdition$zAngleterre$xHistoire$y16e siècle. |
650 |
_6
|
$aLivres$xIndustrie$zAngleterre$xHistoire$y16e siècle. |
651 |
_6
|
$aAngleterre$xVie intellectuelle$y16e siècle. |
650 |
_7
|
$aHISTORY$xModern$y16th Century.$2bisacsh |
650 |
_7
|
$aLANGUAGE ARTS & DISCIPLINES$xJournalism.$2bisacsh |
650 |
_7
|
$aTransmission of texts$2fast |
650 |
_7
|
$aPublishers and publishing$2fast |
650 |
_7
|
$aPrinting$2fast |
650 |
_7
|
$aLiterature publishing$2fast |
650 |
_7
|
$aLiterature and society$2fast |
650 |
_7
|
$aIntellectual life$2fast |
650 |
_7
|
$aBooks$2fast |
650 |
_7
|
$aBook industries and trade$2fast |
651 |
_7
|
$aEngland$2fast |
650 |
_7
|
$aLiteratur$2gnd |
650 |
_7
|
$aBuchhandel$2gnd |
651 |
_7
|
$aEngland$2gnd |
650 |
_7
|
$aLiterature and society$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aLiterature publishing$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aPublishers and publishing$zEngland$xHistory$y16th century.$2idszbzes |
650 |
_7
|
$aBook industries and trade$zEngland$xHistory$y16th century.$2idszbzes |
648 |
_7
|
$a1500-1599$2fast |
655 |
_7
|
$aHistory$2fast |
856 |
40
|
$uhttps://www.degruyter.com/openurl?genre=book&isbn=9781487514938 |
991022314647002122, 991023182873602122, 991022442151602122, 991023382897602122