Includes bibliographical references (p. 263-276) and index.
Cover -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION: EMPIRE AND IDEOLOGY: AESTHETICS AND DESIGN IN EARLY MODERN THEATER OF SPAIN AND THE NEW WORLD -- Political Playwrighting -- Empire and Theater -- CHAPTER ONE. AGRICULTURE, ECONOMICS, AND REVOLT IN LOPE'S FUENTEOVEJUNA -- Economic Imperialism and the International Wool Trade -- Poetizing Violence and Generating Nationalism -- CHAPTER TWO. FALLING STARS: KINGSHIP AND THE LAW IN RUIZ DE ALARCÓN'S EL DUEÑO DE LAS ESTRELLAS -- Public Opinion and Privanza -- The Rise of the Count-Duke of Olivares and Discourses on Privanza -- Setting Legal Precedents -- Suicide as Symbolic Resolution -- CHAPTER THREE. 'A ROSE BY ANY OTHER NAME:' POLITICS AND DYNASTIC SUCCESS(IONS) IN CALDERÓN'S LOA TO LA PÚRPURA DE LA ROSA -- Calderón, Early Opera, and the Spanish Imperial Agenda -- Visual History in La púrpura de la rosa -- CHAPTER FOUR. NARCISSISTIC IMPERIALISM: RELIGION AND RECONQUEST IN SOR JUANA'S EL DIVINO NARCISO -- Transatlantic Ideology in Sor Juana's loa -- An (Un)Orthodox loa: Counter Reformation Cultures, Neo-Scholasticism, and State Control -- The Christianization of Indian Customs: Cross Threading American and European Belief Systems -- El Divino Narciso and the Counter Reformation Context: Mythological Histories and Theological Debates -- CONCLUSION: EMERGING PATTERNS: WRITERS AND THE IMPERIAL STATE -- WORKS CITED -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z