MARC Bibliographic Record

LEADER06635cam a2200709 i 4500
001 991022239077702122
005 20190627094349.0
008 171017t20182018nyua 001 0 eng
010    $a 2017032332
019    $a989964015$a1023434364
020    $a9781501137716$q(hardcover)
020    $a1501137719$q(hardcover)
020    $a9781501137723$q(paperback)
020    $a1501137727$q(paperback)
024 8_ $a99975858385
024 8_ $a40028020890
035    $a(YBP)14553355
035    $a(OCoLC)1007504539
035    $a(OCoLC)on1007504539
035    $a(OCoLC)1007504539$z(OCoLC)989964015$z(OCoLC)1023434364
035    $z(OCoLC)989964015$z(OCoLC)1023434364
035    $a(EXLNZ-01UWI_NETWORK)9912427031902121
037    $bPocket Books, 1230 Ave of the Americas 9th Fl, New York, NY, USA, 10020$nSAN 200-2442
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042    $apcc
043    $an-us---
049    $aGZNA
050 00 $aPN1992.8.W65$bP74 2018
066    $cZsym
082 04 $a791.45082$223
084    $aPER010010$aSOC028000$aPER010030$2bisacsh
100 1_ $aPress, Joy,$d1966-$eauthor.
245 10 $aStealing the show :$bhow women are revolutionizing television /$cJoy Press.
250    $aFirst Atria books hardcover edition.
264 _1 $aNew York, NY :$bAtria Books,$c[2018]
264 _4 $c©2018
300    $aviii, 311 pages :$billustrations ;$c24 cm
336    $atext$btxt$2rdacontent
337    $aunmediated$bn$2rdamedia
338    $avolume$bnc$2rdacarrier
500    $a"February 2018"--Title page verso.
500    $aIncludes index.
505 0_ $aIntroduction -- Look back in anchor : Diane English's Murphy Brown and the culture wars -- From rage to riches : Roseanne Barr and Roseanne -- Walking and talking as fast as they can : Amy Sherman-Palladino's Gilmore Girls -- The vajayjay monologues : the prime-time empire of Shonda Rhimes -- Sitcom and the single girl : Tina Fey's 30 Rock, Liz Meriwether's New Girl, and Mindy Kaling's The Mindy Project -- A voice of a generation : Lena Dunham's Girls -- Gross encounters : Inside Amy Schumer and Broad City -- Crime family values : Jenji Kohan's Weeds and Orange Is the New Black -- Body politic : Jill Soloway's Transparent -- Epilogue.
520    $a"From a leading cultural journalist, a definitive look at the rise of the female showrunner--and a new golden era of television. Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory. But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era. In this endlessly informative and wildly entertaining book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades, starting with Roseanne Barr (Roseanne) and Diane English (Murphy Brown), whose iconic shows redefined America's idea of "family values" and incited controversy that reached as far as the White House. Barr and English inspired the next generation of female TV writers and producers to carve out the creative space and executive power needed to present radically new representations of women on the small screen. Showrunners like Amy Sherman Palladino (Gilmore Girls), Jenji Kohan (Weeds, Orange Is the New Black), and Jill Soloway (Transparent) created characters and storylines that changed how women are seen and how they see themselves, in the process transforming the culture. Stealing the Show is the perfect companion to such bestsellers as Mindy Kaling's Is Everyone Hanging Out Without Me?, Tina Fey's Bossypants, and Shonda Rhimes' Year of Yes'; not to mention Sheila Weller's Girls Like Us and Rebecca Traister's All the Single Ladies. Drawing on deep research and interviews with the key players, this is the exhilarating behind-the-scenes story of a truly groundbreaking revolution in television"--$cProvided by publisher.
520    $aFemale writers, directors, and producers have radically transformed the television industry in recent years, shaking up the entertainment landscape, making it look like an equal opportunity dream factory. Press shows that it took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era. She tells the stories of the maverick women who broke through the barricades, whose iconic shows inspired the next generation of female TV writers and producers to carve out the creative space and executive power needed to present radically new representations of women on the small screen.
650 _0 $aTelevision and women$zUnited States$xHistory.
650 _0 $aWomen television producers and directors$zUnited States.
650 _0 $aTelevision programs$zUnited States$xHistory.
650 _0 $aTelevision broadcasting$zUnited States$xHistory.
650 _7 $aPERFORMING ARTS$xTelevision$xDirection & Production.$2bisacsh
650 _7 $aSOCIAL SCIENCE$xWomen's Studies.$2bisacsh
650 _7 $aPERFORMING ARTS$xTelevision$xHistory & Criticism.$2bisacsh
650 _7 $aTelevision and women.$2fast$0(OCoLC)fst01146701
650 _7 $aTelevision broadcasting.$2fast$0(OCoLC)fst01146714
650 _7 $aTelevision programs.$2fast$0(OCoLC)fst01147026
650 _7 $aWomen television producers and directors.$2fast$0(OCoLC)fst01178614
651 _7 $aUnited States$2fast$0(OCoLC)fst01204155
650 _4 $aWomen television producers and directors$zUnited States.
650 _4 $aTelevision programs$zUnited States$xHistory.
650 _4 $aTelevision broadcasting$zUnited States$xHistory.
655 _7 $aHistory.$2fast$0(OCoLC)fst01411628
656 _7 $aWomen television producers and directors$zUnited States.$2local
776 08 $iOnline version:$aPress, Joy, 1966-$tStealing the show.$dNew York : Atria Books, 2018$z9781501137730$w(DLC) 2017050318
950    $a20180320$bgobi$cc$dp$egls$9local

MMS IDs

Document ID: 9912427031902121
Network Electronic IDs:
Network Physical IDs: 9912427031902121
mms_ec_ids: 99925471427802134
mms_gb_ids: 991007020015702123
mms_mad_ids: 991022239077702122
mms_ml_ids: 991012633938402124
mms_sf_ids: 991015079126202130