Includes bibliographical references (pages 293-313) and index.
Introduction: through bright glass -- Pertinent fiction: short stories into novels -- Mediated involvement: John Stuart Mill's partial sociability -- Visual Interlude I / Double visions: Pre-Raphaelite objectivity and its pitfalls -- Virtual provinces, actually -- Experiments in semi-detachment -- Visual Interlude II / "This new-old industry": William Morris's Kelmscott Press -- H. G. Wells, realist of the fantastic -- Overtones and empty rooms: Willa Cather's layers -- Visual Interlude III / The great stone face: Buster Keaton, semi-detached -- Conclusion: apparitional criticism