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LEADER | 04201cam a2200781Ii 4500 | |
001 | 991022214020602122 | |
005 | 20171206081145.0 | |
008 | 170418t20172017nyua b 001 0 eng d | |
019 | $a960238196 | |
020 | $a9781138220188 | |
020 | $a1138220183 | |
020 | $z9781315413693$q(ebk) | |
035 | $a(OCoLC)982935634 | |
035 | $a(YBP)12991543 | |
035 | $a(OCoLC)982935634$z(OCoLC)960238196 | |
035 | $a(OCoLC)ocn982935634 | |
035 | $a(EXLNZ-01UWI_NETWORK)9912370246602121 | |
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043 | $ae-au--- | |
049 | $aGZMA | |
050 | _4 | $aNX548.V53$bT56 2017 |
050 | _4 | $aN6810.V5 |
082 | 04 | $a700.9436/1309034$223 |
082 | 04 | $a709.436/1309/034$223 |
100 | 1_ | $aTimpano, Nathan J.$q(Nathan James),$eauthor. |
245 | 10 | $aConstructing the Viennese modern body :$bart, hysteria, and the puppet /$cNathan J. Timpano. |
264 | _1 | $aNew York :$bRoutledge, Taylor & Francis Group,$c2017. |
264 | _4 | $c©2017 |
300 | $axi, 209 pages :$billustrations (some color) ;$c26 cm. | |
336 | $atext$btxt$2rdacontent | |
337 | $aunmediated$bn$2rdamedia | |
338 | $avolume$bnc$2rdacarrier | |
490 | 1_ | $aStudies in art historiography |
500 | $a"An Ashgate book"--Cover. | |
504 | $aIncludes bibliographical references (pages 189-201) and index. | |
505 | 0_ | $aIntroduction: a conundrum of the Viennese modern body -- "The semblance of things": re-visioning Viennese expressionism -- "The woman emerges": medical vision and the spectacle of hysteria -- Performing hysteria: a vogue for hystero-theatrical gestures -- A tale of three hysterics: Elektra, Isolde, and Salome -- The inanimate body speaks: the language of the marionette theater -- Pathological puppets: the body and the marionette in Viennese expressionism. |
520 | 8_ | $a"This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically "hysterical" performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism."--Page i. |
650 | _0 | $aArt, Austrian$zAustria$zVienna$y19th century. |
650 | _0 | $aArt, Austrian$zAustria$zVienna$y20th century. |
650 | _0 | $aHuman figure in art. |
650 | _0 | $aBody image in the performing arts$zAustria$zVienna. |
650 | _0 | $aPuppets in art. |
650 | _0 | $aPuppet theater$zAustria$zVienna. |
650 | _0 | $aArt, Modern$y19th century$xThemes, motives. |
650 | _7 | $aArt, Austrian.$2fast$0(OCoLC)fst00815978 |
650 | _7 | $aArt, Modern$xThemes, motives.$2fast$0(OCoLC)fst00816663 |
650 | _7 | $aBody image in the performing arts.$2fast$0(OCoLC)fst01763084 |
650 | _7 | $aHuman figure in art.$2fast$0(OCoLC)fst01896063 |
650 | _7 | $aPuppet theater$2fast$0(OCoLC)fst01084220 |
650 | _7 | $aPuppets in art.$2fast$0(OCoLC)fst01084240 |
651 | _7 | $aAustria$zVienna.$2fast$0(OCoLC)fst01204516 |
650 | _7 | $aKörper$gMotiv$2gnd$0(DE-588)4164424-4 |
650 | _7 | $aKörperbild$2gnd$0(DE-588)4137718-7 |
650 | _7 | $aPuppe$gMotiv$2gnd$0(DE-588)4367892-0 |
650 | _7 | $aKunst.$2gnd$0(DE-588)4114333-4 |
650 | _7 | $aTheater.$2gnd$0(DE-588)4059702-7 |
650 | _7 | $aExpressionismus$2gnd$0(DE-588)4016044-0 |
650 | _7 | $aFrau$gMotiv$2gnd$0(DE-588)4113617-2 |
650 | _7 | $aHysterie$gMotiv$2gnd$0(DE-588)4289832-8 |
650 | _7 | $aMarionettenspiel$2gnd$0(DE-588)4047873-7 |
650 | _7 | $aTheatralität.$2gnd$0(DE-588)4538159-8 |
651 | _7 | $aWien.$2gnd$0(DE-588)4066009-6 |
648 | _7 | $a1800-1999$2fast |
830 | _0 | $aStudies in art historiography (Farnham (Surrey, England)) |
950 | $a20171206$bkrn$cc$dp$egls$9local |