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"...a hallucinatory visual essay, half documentary, half fiction, on memory, tragedy, and early digital culture. A woman (Catherine Belkodja), haunted by the loss of her lover, works on programming...
"...a hallucinatory visual essay, half documentary, half fiction, on memory, tragedy, and early digital culture. A woman (Catherine Belkodja), haunted by the loss of her lover, works on programming a video game about World War II's Battle of Okinawa. Melding retro-futuristic sci-fi imagery and reflections on traumas in Japanese history into a provocative visual and philosophical puzzle, Level Five 'belongs equally to the past, the present and the future...'"--Container