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| 100 | 1_ | $aSnyder, Jon R.,$d1954- |
| 245 | 10 | $aDissimulation and the culture of secrecy in early modern Europe$h[electronic resource] /$cJon R. Snyder. |
| 260 | $aBerkeley :$bUniversity of California Press,$cc2009. | |
| 300 | $a1 online resource (307 p.) | |
| 336 | $atext$btxt | |
| 337 | $acomputer$bc | |
| 338 | $aonline resource$bcr | |
| 500 | $aDescription based upon print version of record. | |
| 546 | $aEnglish | |
| 505 | 00 | $tFrontmatter -- $tContents -- $tList of Illustrations -- $tPreface: Lost Horizons -- $tAcknowledgments -- $t1. Not Empty Silence. The Age of Dissimulation -- $t2. Taking One's Distance. Civil and Moral Dissimulation -- $t3. Confidence Games. Dissimulation at Court -- $t4. The Government of Designs. Dissimulation and Reason of State -- $t5. The Writing on the Walls -- $tNotes -- $tBibliography -- $tIndex |
| 520 | $a"Larvatus prodeo," announced René Descartes at the beginning of the seventeenth century: "I come forward, masked." Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and commoners alike-chose to practice the shadowy art of dissimulation. For men and women who could not risk revealing their inner lives to those around them, this art of incommunicativity was crucial, both personally and politically. Many writers and intellectuals sought to explain, expose, justify, or condemn the emergence of this new culture of secrecy, and from Naples to the Netherlands controversy swirled for two centuries around the powers and limits of dissimulation, whether in affairs of state or affairs of the heart. This beautifully written work crisscrosses Europe, with a special focus on Italy, to explore attitudes toward the art of dissimulation in the sixteenth and seventeenth centuries. Discussing many canonical and lesser-known works, Jon R. Snyder examines the treatment of dissimulation in early modern treatises and writings on the court, civility, moral philosophy, political theory, and in the visual arts. | |
| 504 | $aIncludes bibliographical references (p. 179-271) and index. | |
| 650 | _0 | $aSecrecy$xSocial aspects$zItaly$xHistory. |
| 650 | _0 | $aTruthfulness and falsehood$xSocial aspects$zItaly$xHistory. |
| 650 | _0 | $aInterpersonal communication$zItaly$xHistory. |
| 650 | _0 | $aSecrecy$xSocial aspects$zEurope$xHistory. |
| 650 | _0 | $aTruthfulness and falsehood$xSocial aspects$zEurope$xHistory. |
| 650 | _0 | $aInterpersonal communication$zEurope$xHistory. |
| 651 | _0 | $aItaly$xSocial life and customs$y16th century. |
| 651 | _0 | $aItaly$xSocial life and customs$y17th century. |
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| 651 | _0 | $aEurope$xSocial life and customs. |
| 653 | $a16th century. | |
| 653 | $a17th century. | |
| 653 | $aaffairs. | |
| 653 | $aaristocracy. | |
| 653 | $acanonical writing. | |
| 653 | $acommoners. | |
| 653 | $acommunication. | |
| 653 | $acontroversy. | |
| 653 | $acourt writings. | |
| 653 | $aculture of secrecy. | |
| 653 | $adisguise. | |
| 653 | $adishonesty. | |
| 653 | $adissimulation. | |
| 653 | $aearly modern europe. | |
| 653 | $aeurope. | |
| 653 | $ainner lives. | |
| 653 | $aitaly. | |
| 653 | $amasking emotions. | |
| 653 | $amodern history. | |
| 653 | $amoral philosophy. | |
| 653 | $anaples. | |
| 653 | $anetherlands. | |
| 653 | $aphilosophers. | |
| 653 | $apolitical silence. | |
| 653 | $apolitical theory. | |
| 653 | $aprivate lives. | |
| 653 | $arene descartes. | |
| 653 | $asecrecy. | |
| 653 | $asecret thoughts. | |
| 653 | $atextbooks. | |
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| 653 | $avisual arts. | |
| 653 | $awriters and intellectuals. | |
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| 100 | 1_ | $aSnyder, Jon R.,$d1954-$eauthor |
| 245 | 10 | $aDissimulation and the Culture of Secrecy in Early Modern Europe. |
| 264 | _1 | $a[Berkeley, CA] :$bUniversity of California Press,$c2009. |
| 300 | $a1 online resource (307 pages) | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
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| 340 | $gpolychrome.$2rdacc$0http://rdaregistry.info/termList/RDAColourContent/1003 | |
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| 505 | 0_ | $aCover; Contents; Illustrations; Preface; Acknowledgments; 1. Not Empty Silence; 2. Taking One's Distance; 3. Confidence Games; 4. The Government of Designs; 5. The Writing on the Walls; Notes; Bibliography; Index. |
| 520 | $a"Larvatus prodeo," announced René Descartes at the beginning of the seventeenth century: "I come forward, masked." Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and commoners alike-chose to practice the shadowy art of dissimulation. For men and women who could not risk revealing their inner lives to those around them, this art of incommunicativity was crucial, both personally and politically. Many writers and intellectuals sought to explain, expose, justify, or condemn the emergence. | |
| 588 | 0_ | $aPrint version record. |
| 504 | $aIncludes bibliographical references (pages 179-271) and index. | |
| 506 | $3Use copy$fRestrictions unspecified$2star$5MiAaHDL | |
| 533 | $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL | |
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| 546 | $aEnglish. | |
| 651 | _0 | $aItaly$xSocial life and customs$y16th century. |
| 651 | _0 | $aItaly$xSocial life and customs$y17th century. |
| 651 | _0 | $aItaly$xSocial life and customs$vSources. |
| 650 | _0 | $aSecrecy$xSocial aspects$zItaly$xHistory. |
| 650 | _0 | $aTruthfulness and falsehood$xSocial aspects$zItaly$xHistory. |
| 650 | _0 | $aInterpersonal communication$zItaly$xHistory. |
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| 776 | 08 | $iPrint version:$aSnyder, Jon R.$tDissimulation and the Culture of Secrecy in Early Modern Europe.$dCA : University of California Press, ©2009$z9780520228191 |
| 856 | 40 | $uhttps://www.degruyter.com/openurl?genre=book&isbn=9780520944442 |