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In a series of 22 tableaux set on a soundstage, Syberberg makes use of puppets, props, a Wagnerian soundtrack, and rear-screen projection to evoke Nazi Germany, the origins of the Third Reich, and ...
In a series of 22 tableaux set on a soundstage, Syberberg makes use of puppets, props, a Wagnerian soundtrack, and rear-screen projection to evoke Nazi Germany, the origins of the Third Reich, and the aftermath that followed.