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Reading Renaissance music theory : hearing with the eyes
- Author / Creator
- Available as
- Physical
Details
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- Creator
- Cristle Collins Judd
- Format
- Books
- Language
- English
- Publication
-
- Digitally printed first paperback version
- Cambridge, UK ; New York : Cambridge University Press, 2006
- ©2000
- Physical Details
-
- xxiii, 339 pages : illustrations, music ; 25 cm
- ISBNs
- 0521028191, 9780521028196
- OCLC
- ocm70881830
- Originally published: 2000.
- Includes bibliographical references (pages 321-333) and index.
- pt. 1. Beginnings. Prologue: Exempli gratia-- -- Music theory incunabula: printed books, printed music -- pt. 2. 1520-1540, Pietro Aron and Sebald Heyden. Pietro Aron and Petrucci's prints -- Music anthologies, theory treatises, and the Reformation : Nuremberg in the 1530s and 1540s -- pt. 3. The polyphony of Heinrich Glarean's Dodecachordon (1547). Exempla, commonplace books, and writing theory -- The polyphony of the Dodecachordon -- pt. 4. Gioseffo Zarlino's Le istitutioni harmoniche (1558). Composition and theory mediated by print culture -- "On the modes" : the citations of Le istitutioni harmoniche, Part IV -- pt. 5. Readings past and present. Exempli gratia : a reception history of Magnus es tu Domine/Tu pauperum refugium -- Epilogue : Reading theorists reading (music)
Subjects
- Aaron, Pietro -- Criticism and interpretation.
- Heyden, Sebald, 1499-1561 -- Criticism and interpretation.
- Glareanus, Henricus, 1488-1563 -- Criticism and interpretation.
- Zarlino, Gioseffo, 1517-1590 -- Criticism and interpretation.
- Music -- History and criticism -- Music collections.
- Music printing -- Europe -- History -- 16th century.
- Music theory -- History -- 16th century.