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Imagining musical pasts : the queer literary musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson
- Author / Creator
- Available as
- Physical
- Summary
-
"Imagining Musical Pasts considers the ways early twentieth-century musicologists Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson approached gender and sexuality in their scholarly and creati...
"Imagining Musical Pasts considers the ways early twentieth-century musicologists Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson approached gender and sexuality in their scholarly and creative work. This book explores the place of musicology as literature, as well as the role of gossip and speculation in constructing queer music histories"--
Details
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- Creator
- Kristin M. Franseen
- Format
- Books
- Language
- English
- Publication
-
- First edition
- Clemson : Clemson University Press in association with Liverpool University Press, 2023
- ©2023
- Physical Details
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- xvii, 258 pages : illustrations (black and white) ; 24 cm
- ISBNs
- 1638040583, 1638040591, 9781638040583, 9781638040590
- OCLC
- on1346615196
- Includes bibliographical references and index.
- Introduction. The Old Queer Musicology -- I. Vernon Lee's Ghostly Musical Encounters. "The more or less remote Past" : Imagining Castrati and Overhearing the Eighteenth Century ; "A gallery of dramatis personae with whom I often feel very intimate" : Musicological Authority and Curious Intimacies in Music and its Lovers and "A Wicked Voice" -- II. Rosa Newmarch's Musical Detective Work. "An autobiographical interest for which there is no real warranty" : Gossip, Evidence, and Speculation in Newmarch's Tchaikovsky Scholarship ; "Her own song to sing" : Friendship and Romantic Ambiguity in Mary Wakefield and the Sonnets -- III. Edward Prime-Stevenson's Secret Identities and Musical Nostalgia. "The ultimate voices in a homosexual message by symphonic music" : The Intersexes and Long-Haired Iopas as Hidden Musicological Sexology ; "Once : But Not Twice"? Repertory as the Culmination of Nostalgic Wanderings -- Conclusions. Are Musicologists Human?