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| LEADER | 03711cam a2200493Ii 4500 | |
| 001 | 99100064413602122 | |
| 005 | 20231031011738.0 | |
| 008 | 131107t20142014nyu 000 p eng d | |
| 019 | $a862349507 | |
| 020 | $a9781937658175$q(pbk.) | |
| 020 | $a1937658171$q(pbk.) | |
| 035 | $a(OCoLC)ocn862788085 | |
| 035 | $a(WU)10006441-uwmadisondb | |
| 035 | $z(OCoLC)862349507 | |
| 035 | $a(OCoLC)862788085$z(OCoLC)862349507 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)9910195076102121 | |
| 040 | $aBTCTA$beng$erda$cBTCTA$dYDXCP$dJHE$dBDX$dCDX$dUAB$dMNW$dOCLCF$dOCLCQ$dOCL$dSFR$dNMC$dOCLCQ$dJDP$dOCL$dOCLCO$dEYM$dOCLCO$dBUF$dOCLCO$dGUA$dWIQ$dOCLCO | |
| 043 | $an-us--- | |
| 049 | $aWIEM | |
| 050 | _4 | $aPS3602.L37$bS48 2014 |
| 082 | 04 | $a811/.6$223 |
| 100 | 1_ | $aBlanchfield, Brian,$d1973-$eauthor. |
| 240 | 10 | $aPoems.$kSelections |
| 245 | 12 | $aA several world /$cBrian Blanchfield. |
| 264 | _1 | $aBrooklyn & Callicoon, New York :$bNightboat Books,$c[2014] |
| 264 | _2 | $aLebanon, NH :$bDistributed by the University Press of New England |
| 264 | _4 | $c©2014 |
| 300 | $a111 pages ;$c23 cm | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $aunmediated$bn$2rdamedia | |
| 338 | $avolume$bnc$2rdacarrier | |
| 505 | 00 | $tThe city state --$tFunny loss of face --$tParanoia places its faith in exposure --$tAccording to Herodotus --$tEdge of water, Nimrod Falls, Montana --$tStarter garden --$tWhich of these Alberts --$tGadabout --$tNurse mustn't rummage --$tMan roulette --$tOpen house --$tThank you mood --$tPferd --$tS apostrophe s --$tEclogue of Sig alert on the ten east --$tBy and by --$tWheelwright & Smith --$tIn their motions --$tPterygium --$tEdge of water: Portage Bay, Washington --$tEclogue in line to view The Clock by Christian Marclay --$tThe history of ideas, 1973-2012. Alienation --$tAuthority --$tCasuistry --$tEducation --$tEmpathy --$tMotif --$tMountains and hills, literary attitudes toward --$tParadox --$tSpace --$tSymmetry --$tTime --$tUt Pictura Poesis --$tLifespan addenda --$tSuperfund --$tThe inversion --$tSmalltown lift --$tSonnets in Diaghilev's beard --$tRods and cones --$tLittlest Illeity --$tBrownie's motel plus --$tAnd by and by --$tEclogue through the night --$tEdge of water, Moiese, Montana. |
| 520 | $a"As in the title phrase--borrowed from a 17th century poem by Robert Herrick--in which 'several' is used to individuate, questions of singularity and the plural, of subjectivity and the collective, pervade this dream-quick poetry. In A Several World there are glimpses of an 'us down here'--in a city state, in a valley town, in an open clearing, in the understory--and, by various projections, there is frequent attainment of an aerial vantage, a supervisory perspective. The wish to be out of the weeds, to imagine one can see the thing in whole, and, conversely, the wish to be overseen, even to be overlooked, further animate the poetic shuttling between late pastoral and conceptual project. Landscape here is spatial theater and, blowing through like new weather, a choreography recruits certain standalone selves: solidarity beginning in an erotics of attunement, catching likenesses. 'Pick me up can also be as frequency and antennae do.'"--$cPublisher's description. | |
| 650 | _0 | $aAmerican poetry$y21st century. |
| 650 | _7 | $aAmerican poetry.$2fast$0(OCoLC)fst00807348 |
| 648 | _7 | $a2000-2099$2fast |
| 655 | _0 | $aAmerican poetry$y21st century. |
| 655 | _7 | $apoetry.$2aat$0(CStmoGRI)aatgf300055931 |
| 655 | _7 | $aPoetry.$2fast$0(OCoLC)fst01423828 |
| 655 | _7 | $aPoetry.$2lcgft |
| 655 | _7 | $aPoésie.$2rvmgf$0(CaQQLa)RVMGF-000000476 |