MARC Bibliographic Record

LEADER01718cam a2200397 a 4500
001 9985170013602122
005 20180324142329.0
008 100822s2011 ncu b 001 0 eng c
010    $a 2010035883
020    $a0822348756 (pbk. : alk. paper)
020    $a9780822348757 (pbk. : alk. paper)
020    $a0822348640 (cloth : alk. paper)
020    $a9780822348641 (cloth : alk. paper)
035    $a(OCoLC)ocn658200781
035    $a(WU)8517001-uwmadisondb
035    $a(EXLNZ-01UWI_NETWORK)9910100801302121
040    $aNcD/DLC$beng$cDLC$dYDXCP$dWHE$dNYP$dBWX
042    $apcc
043    $an-us---
050 00 $aKF3035$b.M35 2011
082 00 $a346.7304/82$222
100 1_ $aMcLeod, Kembrew,$d1970-
245 10 $aCreative license :$bthe law and culture of digital sampling /$cKembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
264 _1 $aDurham [NC] :$bDuke University Press,$c2011.
300    $aix, 325 pages ;$c23 cm
336    $atext$btxt$2rdacontent
337    $aunmediated$bn$2rdamedia
338    $avolume$bnc$2rdacarrier
504    $aIncludes bibliographical references and index.
505 0_ $aThe golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
650 _0 $aCopyright$xMusic$zUnited States.
650 _0 $aSampler (Musical instrument)
650 _0 $aPlagiarism in music.
700 1_ $aDiCola, Peter,$d1976-
949    $a20130123$b*CO-cw$cd$dnt$ep$fcall:n$grepl:n$hgls
959    $aON RESERVE
997    $aMARCIVE
LEADER03820cam a2200757Ii 4500
001 991022765508702122
005 20230118192324.0
006 m o d
007 cr cn|||||||||
008 110429t20112011ncu ob 001 0 eng d
019    $a754326577$a754330481$a1125519528$a1125677185$a1136423068$a1171051377$a1173169314
020    $a9780822393528$q(electronic bk.)
020    $a0822393522$q(electronic bk.)
020    $a1283265907
020    $a9781283265904
020    $a9786613265906
020    $a661326590X
020    $z9780822348641$q(cloth ;$qalk. paper)
020    $z0822348640$q(cloth ;$qalk. paper)
020    $z9780822348757$q(pbk. ;$qalk. paper)
020    $z0822348756$q(pbk. ;$qalk. paper)
024 8_ $a9786613265906
035    $a(OCoLC)717324468$z(OCoLC)754326577$z(OCoLC)754330481$z(OCoLC)1125519528$z(OCoLC)1125677185$z(OCoLC)1136423068$z(OCoLC)1171051377$z(OCoLC)1173169314
035    $a(OCoLC)ocn717324468
035    $a(EXLNZ-01UWI_NETWORK)9913180483802121
037    $a326590$bMIL
037    $a22573/ctv1121fdq$bJSTOR
040    $aNDD$beng$erda$epn$cNDD$dYDXCP$dCDX$dIDEBK$dOCLCQ$dE7B$dN$T$dOCLCF$dDEBSZ$dOCLCO$dOCLCQ$dYDX$dOCLCQ$dIOG$dMERUC$dUCO$dDKU$dINARC$dVT2$dOCLCQ$dOCLCO$dLVT$dYOU$dBRX$dLEAUB$dOCLCQ$dOCLCO$dEQF$dSFB$dJSTOR$dP@U$dDEGRU$dLUN
043    $an-us---
049    $aGZMA
050 _4 $aKF3035$b.M35 2011
072 _7 $aLAW$x001000$2bisacsh
072 _7 $aMUS$x020000$2bisacsh
072 _7 $aLAW$x050010$2bisacsh
082 04 $a346.7304/82$222
100 1_ $aMcLeod, Kembrew,$d1970-$eauthor.
245 10 $aCreative license :$bthe law and culture of digital sampling /$cKembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
264 _1 $aDurham [North Carolina] ;$aLondon :$bDuke University Press,$c2011.
264 _4 $c©2011
300    $a1 online resource (ix, 325 pages)
336    $atext$btxt$2rdacontent
337    $acomputer$bc$2rdamedia
338    $aonline resource$bcr$2rdacarrier
347    $adata file$2rda
504    $aIncludes bibliographical references and index.
505 0_ $aThe golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
520    $aExamines the legal, economic, and cultural stakes of music sampling from the differing perspectives of artists, music labels, copyright lawyers, managers, and music publishers.
588 0_ $aOnline resource (HeinOnline, viewed February 1, 2018).
546    $aEnglish.
600 17 $aSampling.$0(DE-603)086236296$0(DE-588c)4236246-5$2swd
600 17 $aUrheberrecht.$0(DE-603)08517291X$0(DE-588c)4062127-3$2swd
650 _0 $aCopyright$xMusic$zUnited States.
650 _0 $aSampler (Musical instrument)
650 _0 $aPlagiarism in music.
650 _7 $aLAW$xAdministrative Law & Regulatory Practice.$2bisacsh
650 _7 $aMUSIC / History & Criticism$2bisacsh
650 _7 $aCopyright$xMusic.$2fast$0(OCoLC)fst00878748
650 _7 $aPlagiarism in music.$2fast$0(OCoLC)fst01065028
650 _7 $aSampler (Musical instrument)$2fast$0(OCoLC)fst01104663
651 _7 $aUnited States.$2fast$0(OCoLC)fst01204155
651 _7 $aMusik.$0(DE-603)086236296$0(DE-588c)4236246-5$2swd
655 _4 $aElectronic resource.
700 1_ $aDiCola, Peter,$d1976-$eauthor.
700 1_ $aToomey, Jenny,$d1968-$eauthor.
700 1_ $aThomson, Kristin,$eauthor.
776 08 $iPrint version:$aMcLeod, Kembrew, 1970-$tCreative license.$dDurham [NC] : Duke University Press, 2011$z9780822348641$w(DLC) 2010035883$w(OCoLC)658200781
856 40 $uhttps://www.degruyter.com/openurl?genre=book&isbn=9780822393528
LEADER01870cam a2200349 i 4500
001 991022254026902122
005 20230118163918.0
006 m fo d
007 cr bn nnnauuuu
008 180127s2011 ncu ob 001 0 eng d
035    $a(Cassidy)ccn00839649
035    $a(EXLNZ-01UWI_NETWORK)9912450056102121
040    $aNjRocCCS$beng$erda$cNjRocCCS
043    $an-us---
050 _4 $aKF3035$b.M35 2011
100 1_ $aMcLeod, Kembrew,$d1970-$eauthor.
245 10 $aCreative license :$bthe law and culture of digital sampling /$cKembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
264 _1 $aDurham :$bDuke University Press,$c2011.
300    $a1 online resource (ix, 325 pages).
336    $atext$2rdacontent
337    $acomputer$2rdamedia
338    $aonline resource$2rdacarrier
588    $aDescription based on PDF title page, viewed January 27, 2018.
504    $aIncludes bibliographical references (pages 303-311) and index.
505 0_ $aThe golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
650 _0 $aCopyright$xMusic$zUnited States.
650 _0 $aSampler (Musical instrument)
650 _0 $aPlagiarism in music.
655 _7 $aMusic.$2lcgft
700 1_ $aDiCola, Peter,$d1976-$eauthor.
776 08 $cOriginal$w(DLC) 2010035883$z9780822348641
856 40 $3HeinOnline Legal Classics Library$uhttps://www.heinonline.org/HOL/Page?handle=hein.beal/crtivldgs0001&id=1&size=2&collection=beal&index=beal
856 40 $3HeinOnline Intellectual Property Law Collection$uhttps://www.heinonline.org/HOL/Page?handle=hein.beal/crtivldgs0001&id=1&size=2&collection=intprop&index=intprop

MMS IDs

Document ID: 9910100801302121
Network Electronic IDs: 9912450056102121, 9913180483802121
Network Physical IDs: 9910100801302121
mms_lc_ids: 998629933402125
mms_mad_ids: 9985170013602122, 991022765508702122, 991022254026902122
mms_ml_ids: 9919971833402124
mms_sup_ids: 996304403602132
mms_ww_ids: 998308343702133