Includes bibliographical references (pages [173]-183) and index.
The war of the theatres and the virtues of conjecture -- Love's martyr, the 'Vatum Chorus', and speculative attribution -- John Weever and 'Horace Merit' -- Why did 'What you will' appear in 1607? -- The Insatiate countess: emulation, appropriation, and cuckoldry -- The Family of Love and John Marston -- The Family of Love and the 'Poets' War' -- Malvolio, Marston, and Frederick Fleay