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| 008 | 071011s2008 nyua b 001 0 eng | |
| 010 | $a 2007041786 | |
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| 050 | 00 | $aML3800$b.D65 2008 |
| 082 | 00 | $a781.1/7$222 |
| 100 | 1_ | $aDonelan, James H.,$d1963- |
| 245 | 10 | $aPoetry and the romantic musical aesthetic /$cJames H. Donelan. |
| 264 | _1 | $aNew York :$bCambridge University Press,$c2008. |
| 300 | $axvi, 216 pages :$billustrations ;$c24 cm | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $aunmediated$bn$2rdamedia | |
| 338 | $avolume$bnc$2rdacarrier | |
| 504 | $aIncludes bibliographical references (pages 205-212) and index. | |
| 505 | 0_ | $aSelf-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound. |
| 650 | _0 | $aMusic$xPhilosophy and aesthetics. |
| 650 | _0 | $aRomanticism. |
| 655 | _7 | $aPoetry.$2lcgft |
| 856 | 42 | $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0811/2007041786-b.html |
| 856 | 42 | $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0811/2007041786-d.html |
| 856 | 42 | $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy0811/2007041786-t.html |
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| 938 | $aBaker and Taylor$bBTCP$nBK0007624705 | |
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| LEADER | 02556nam a2200373 i 4500 | |
| 001 | 991023336719902122 | |
| 005 | 20151005020620.0 | |
| 006 | m|||||o||d|||||||| | |
| 007 | cr|||||||||||| | |
| 008 | 090216s2008||||enk o ||1 0|eng|d | |
| 020 | $a9780511482076 (ebook) | |
| 020 | $z9780521887618 (hardback) | |
| 020 | $z9780521130165 (paperback) | |
| 035 | $a(UkCbUP)CR9780511482076 | |
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| 050 | 00 | $aML3800$b.D65 2008 |
| 082 | 00 | $a781.1/7$222 |
| 100 | 1_ | $aDonelan, James H.,$d1963-$eauthor. |
| 245 | 10 | $aPoetry and the romantic musical aesthetic /$cJames H. Donelan. |
| 246 | 3_ | $aPoetry & the Romantic Musical Aesthetic |
| 264 | _1 | $aCambridge :$bCambridge University Press,$c2008. |
| 300 | $a1 online resource (xvi, 216 pages) :$bdigital, PDF file(s). | |
| 336 | $atext$btxt$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 347 | $adata file$2rda | |
| 500 | $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). | |
| 505 | 0_ | $aSelf-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound. |
| 520 | $aJames H. Donelan describes how two poets, a philosopher and a composer - Hölderlin, Wordsworth, Hegel and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831. | |
| 650 | _0 | $aMusic$xPhilosophy and aesthetics. |
| 650 | _0 | $aPoetry. |
| 650 | _0 | $aRomanticism. |
| 776 | 08 | $iPrint version: $z9780521887618 |
| 856 | 40 | $uhttps://doi.org/10.1017/CBO9780511482076 |