Performance as research and vice versa / Row Howat -- A movable feast : Alessandro Scarlatti and the serenata / Marie-Louise Catsalis -- Night and dreams : text, texture, and night themes in cantatas by Alessandro Scarlatti / Rosalind Halton -- Italian vocal music in the early nineteenth century : historical versus modern interpretative approaches / Prudence Dunstone -- Questions of temperament in the sonatas of Domenico Scarlatti / Jacqueline Ogeil -- Translating text into motion : performance practice and the rhetorical tradition in early and mid-eighteenth-century Italian vocal music / Alan Maddox -- Louis Niedermeyer and early music revival in nineteenth-century France / Ikuno Sako -- Camilla Urso : a visiting virtuoso brings music to the people / Johanna Selleck -- Mancell Kirby : Melbourne's first harpsichordist / Patricia Duke -- Red Nichols' obbligato on "Rockin' chair" (E-35619-A) : exception or rule? / Frank Murphy -- Traditional "fakings" : Hank Williams, Jeff Buckley, Kamr'uddin Khan and other falsetto acts / John Napier -- Performance as research / Suzanne G. Cusick -- Repositioning music analysis : preparatory thoughts for a case study of indigenous Australian women's contemporary music / Katelyn Barney -- The pedagogical as performative : opening up spaces for teaching and learning indigenous women's music and dance / Elizabeth MacKinlay -- Intrusions and delusions : considering the impact of recording technology on the subject matter of ethnomusicological research / Steve Knopoff -- From coffee houses to executive suites : an experiential approach to feminist musicology / Brydie-Leigh Bartleet -- When a military band learned Vietnamese music : the experience of the Band of the Fifth Battalion Royal Australian Regiment in Vietnam, 1966-1967 / Tim Humphrey -- Canti di Nonno Tony Signor : documenting the music of Australia's Italian immigrants / Roland Bannister & [et al.] -- When the string snaps : two domestic prison scenarios / Linda Kouvaras -- Mendelssohn's Antigone and the ancient Greek polis / Jason Geary -- The lamentations of Manuel José Doyagüe : recently rediscovered manuscript sources from Manila / David Irving -- A Venetian festal Gloria : Antonio Lotti's Gloria in D major / Anne-Marie Forbes -- Antonio Carlos Jobim : eclecticism in popular music / Peter Freeman -- The Prix du Rome competition : prophetic or irrelevant? / Julia Lu -- Louis Laloy (1874-1944) : friend and apologist of Debussy / Deborah Priest -- "La clarté française" : the national character of French orchestral writing in the early twentieth century / Patricia Shaw -- Schoenberg's Rilke settings and the fragmentation of war / Jennifer Shaw -- Music technology, sound art/interactivity : reality music/virtual music / Rolf Gehlhaar -- Interactive technologies in music composition : towards a theory of interactivity / Cathy Cox -- Contextualizing Ravel's sonatine / Eddy K.M. Chong -- On the wings of the wind : the characterisation of the feminine in Mary Mageau's The furies / Ruth Lee Martin -- Approaches to invertible canonic composition in late sixteenth-century theory and practice / Denis Collins -- What we mean by signs : more about [phi] / Nicholas Routley and Andrew Robbie -- A fifteenth-century response to a musical text : the editor-scribe in Chantilly, Bibliothèque de Musée Condé, ms. 524 (Codex Chantilly) / Jason Stoessel -- Viennese fundamental bass tradition in the late nineteenth century / John A. Phillips