| LEADER | 01866cam a22004694a 4500 |
| 001 |
9969203313602122 |
| 005 |
20161103090219.0 |
| 007 |
cr |
| 008 |
041004t20052005njua b 001 0ceng |
| 010 |
|
$a 2004023479 |
| 015 |
|
$aGBA556811$2bnb |
| 016 |
7_
|
$a013245691$2Uk |
| 020 |
|
$a0813535948 (hardcover : alk. paper) |
| 020 |
|
$a0813535956 (pbk. : alk. paper) |
| 024 |
|
$a40011975113 |
| 035 |
|
$a(OCoLC)ocm56729899 |
| 035 |
|
$a6920331 |
| 035 |
|
$a(EXLNZ-01UWI_NETWORK)9910009470702121 |
| 040 |
|
$aDLC$beng$cDLC$dYDX$dUKM$dBAKER |
| 042 |
|
$apcc |
| 043 |
|
$ae-fr--- |
| 049 |
|
$aGZMA |
| 050 |
00
|
$aNX164.L47$bL38 2005 |
| 082 |
00
|
$a704/.086/6430944361$222 |
| 100 |
1_
|
$aLatimer, Tirza True. |
| 245 |
10
|
$aWomen together/women apart :$bportraits of lesbian Paris /$cTirza True Latimer. |
| 264 |
_1
|
$aNew Brunswick, N.J. :$bRutgers University Press,$c[2005] |
| 264 |
_4
|
$c©2005 |
| 300 |
|
$axi, 211 pages :$billustrations ;$c24 cm |
| 336 |
|
$atext$btxt$2rdacontent |
| 337 |
|
$aunmediated$bn$2rdamedia |
| 338 |
|
$avolume$bnc$2rdacarrier |
| 504 |
|
$aIncludes bibliographical references (pages [145]-199) and index. |
| 505 |
0_
|
$aLesbian Paris between the wars -- Romaine Brooks: portraits that look back -- "Narcissus and Narcissus": Claude Cahun and Marcel Moore -- Suzy Solidor and her likes. |
| 530 |
|
$aAlso available online. |
| 650 |
_0
|
$aLesbian artists$zFrance$zParis$vBiography. |
| 650 |
_0
|
$aLesbians$zFrance$zParis$vBiography. |
| 650 |
_0
|
$aArts, French$zFrance$zParis$y20th century. |
| 651 |
_0
|
$aParis (France)$xIntellectual life$y20th century. |
| 730 |
0_
|
$aLGBT life with full text. |
| 856 |
41
|
$uhttp://search.ebscohost.com/login.aspx?direct=true&db=qth&jid=24OS&site=ehost-live$zAvailable through LGBT life with full text |
| 856 |
42
|
$3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip052/2004023479.html |
| 997 |
|
$aMARCIVE |
| LEADER | 03861nam 22006614a 4500 |
| 001 |
991021984961702122 |
| 005 |
20240516203147.0 |
| 006 |
m o d | |
| 007 |
cr#|n|---||||| |
| 008 |
041004t20052005njua o 001 0ceng |
| 010 |
|
$z 2004023479 |
| 020 |
|
$a1-280-94716-0 |
| 020 |
|
$a9786610947164 |
| 020 |
|
$a0-8135-4119-0 |
| 024 |
7_
|
$a10.36019/9780813541198$2doi |
| 035 |
|
$a(CKB)1000000000468118 |
| 035 |
|
$a(EBL)967388 |
| 035 |
|
$a(OCoLC)799765845 |
| 035 |
|
$a(SSID)ssj0000273449 |
| 035 |
|
$a(PQKBManifestationID)11225804 |
| 035 |
|
$a(PQKBTitleCode)TC0000273449 |
| 035 |
|
$a(PQKBWorkID)10322823 |
| 035 |
|
$a(PQKB)11491098 |
| 035 |
|
$a(OCoLC)133165707 |
| 035 |
|
$a(MdBmJHUP)muse21310 |
| 035 |
|
$a(DE-B1597)529155 |
| 035 |
|
$a(DE-B1597)9780813541198 |
| 035 |
|
$a(Au-PeEL)EBL967388 |
| 035 |
|
$a(CaPaEBR)ebr10150138 |
| 035 |
|
$a(CaONFJC)MIL94716 |
| 035 |
|
$a(MiAaPQ)EBC967388 |
| 035 |
|
$a(EXLCZ)991000000000468118 |
| 040 |
|
$aMiAaPQ$cMiAaPQ$dMiAaPQ |
| 041 |
|
$aeng |
| 043 |
|
$ae-fr--- |
| 044 |
|
$anju$cUS-NJ |
| 050 |
_4
|
$aNX164.L47$bL38 2005 |
| 072 |
_7
|
$aSOC000000$2bisacsh |
| 082 |
04
|
$a704/.086/6430944361$222 |
| 100 |
1_
|
$aLatimer, Tirza True. |
| 245 |
10
|
$aWomen together/women apart :$bportraits of lesbian Paris /$cTirza True Latimer. |
| 250 |
|
$a1st ed. |
| 264 |
_1
|
$aNew Brunswick, N.J. :$bRutgers University Press,$c2005. |
| 264 |
_4
|
$a©2005 |
| 300 |
|
$a1 online resource (xi, 211 pages) :$billustrations |
| 336 |
|
$atext$btxt$2rdacontent |
| 337 |
|
$acomputer$bc$2rdamedia |
| 338 |
|
$aonline resource$bcr$2rdacarrier |
| 588 |
|
$aDescription based upon print version of record. |
| 546 |
|
$aEnglish |
| 520 |
|
$aWhat does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a "new breed" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications. Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity. |
| 504 |
|
$aIncludes bibliographical references (p. [185]-199) and index. |
| 505 |
0_
|
$aLesbian Paris between the wars -- Romaine Brooks : portraits that look back -- "Narcissus and Narcissus": Claude Cahun and Marcel Moore -- Suzy Solidor and her likes. |
| 650 |
_0
|
$aLesbian artists$zFrance$zParis$vBiography. |
| 650 |
_0
|
$aLesbians$zFrance$zParis$vBiography. |
| 650 |
_0
|
$aArts, French$zFrance$zParis$y20th century. |
| 651 |
_0
|
$aParis (France)$xIntellectual life$y20th century. |
| 776 |
0_
|
$z0-8135-3594-8 |
| 906 |
|
$aBOOK |
| LEADER | 06021cam a2200817Mi 4500 |
| 001 |
991022504046802122 |
| 005 |
20230118193416.0 |
| 006 |
m o d |
| 007 |
cr cn||||||||| |
| 008 |
041004s2005 njua ob 001 0ceng d |
| 010 |
|
$a 2004023479 |
| 016 |
7_
|
$a013245691$2Uk |
| 019 |
|
$a77521684$a148794324$a474159516$a475328708$a508308166$a560176752$a647612836$a799765845$a814503452$a870364690$a888696576$a961575991$a962615045$a966154351$a988464115$a991914931$a1036908309$a1037509840$a1038616067$a1045534947$a1055350050$a1058011857$a1058965406$a1064747052$a1081214702$a1083601546$a1148070469$a1192340352$a1228594616 |
| 020 |
|
$a0813541190$q(electronic bk.) |
| 020 |
|
$a9780813541198$q(electronic bk.) |
| 020 |
|
$a9786610947164 |
| 020 |
|
$a6610947163 |
| 020 |
|
$z0813535948 |
| 020 |
|
$z9780813535944 |
| 020 |
|
$z0813535956 |
| 020 |
|
$z9780813535951 |
| 020 |
|
$z1280947160 |
| 020 |
|
$z9781280947162 |
| 035 |
|
$a(OCoLC)133165707$z(OCoLC)77521684$z(OCoLC)148794324$z(OCoLC)474159516$z(OCoLC)475328708$z(OCoLC)508308166$z(OCoLC)560176752$z(OCoLC)647612836$z(OCoLC)799765845$z(OCoLC)814503452$z(OCoLC)870364690$z(OCoLC)888696576$z(OCoLC)961575991$z(OCoLC)962615045$z(OCoLC)966154351$z(OCoLC)988464115$z(OCoLC)991914931$z(OCoLC)1036908309$z(OCoLC)1037509840$z(OCoLC)1038616067$z(OCoLC)1045534947$z(OCoLC)1055350050$z(OCoLC)1058011857$z(OCoLC)1058965406$z(OCoLC)1064747052$z(OCoLC)1081214702$z(OCoLC)1083601546$z(OCoLC)1148070469$z(OCoLC)1192340352$z(OCoLC)1228594616 |
| 035 |
|
$a(OCoLC)ocn133165707 |
| 035 |
|
$a(EXLNZ-01UWI_NETWORK)9912913742002121 |
| 037 |
|
$b00023046 |
| 037 |
|
$a22573/ctt4jv8ng$bJSTOR |
| 040 |
|
$aCOCUF$beng$epn$erda$cCOCUF$dOCLCQ$dN$T$dYDXCP$dIDEBK$dOCLCQ$dDKDLA$dZCU$dMERUC$dCCO$dE7B$dOCLCQ$dOCLCO$dOCLCQ$dN$T$dP@U$dOCLCF$dJSTOR$dOCLCQ$dOCLCO$dEBLCP$dCOO$dOCLCO$dOCLCQ$dOCLCO$dOCL$dAZK$dLOA$dJBG$dAGLDB$dCNNOR$dMOR$dPIFBR$dOCLCQ$dU3W$dEZ9$dINARC$dBRL$dSTF$dWRM$dVTS$dICG$dNRAMU$dVT2$dOCLCQ$dAU@$dWYU$dLVT$dA6Q$dDKC$dOCLCQ$dM8D$dOCL$dDEGRU$dUKCRE$dOCLCQ$dOCLCO |
| 043 |
|
$ae-fr--- |
| 049 |
|
$aGZMA |
| 050 |
_4
|
$aNX164.L47$bL38 2005eb |
| 072 |
_7
|
$aART$x050000$2bisacsh |
| 072 |
_7
|
$aBIO$x001000$2bisacsh |
| 072 |
_7
|
$aJBGF$2bicssc |
| 072 |
_7
|
$aSOC032000$2bisacsh |
| 082 |
04
|
$a704/.086/6430944361$222 |
| 100 |
1_
|
$aLatimer, Tirza True,$eauthor. |
| 245 |
10
|
$aWomen together/women apart :$bportraits of lesbian Paris /$cTirza True Latimer. |
| 264 |
_1
|
$aNew Brunswick, N.J. :$bRutgers University Press,$c[2005] |
| 264 |
_4
|
$c©2005 |
| 300 |
|
$a1 online resource (xi, 211 pages) :$billustrations |
| 336 |
|
$atext$btxt$2rdacontent |
| 337 |
|
$acomputer$bc$2rdamedia |
| 338 |
|
$aonline resource$bcr$2rdacarrier |
| 347 |
|
$adata file |
| 504 |
|
$aIncludes bibliographical references (pages 185-199) and index. |
| 505 |
0_
|
$aLesbian Paris between the wars -- Romaine Brooks : portraits that look back -- "Narcissus and Narcissus": Claude Cahun and Marcel Moore -- Suzy Solidor and her likes. |
| 520 |
8_
|
$aAnnotation$bWhat does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, however, no notion of lesbianism as a coherent social or cultural identity yet existed. In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a "new breed" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications. Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity |
| 586 |
|
$aLambda Literary Awards (nominated), 2006 |
| 588 |
0_
|
$aPrint version record. |
| 546 |
|
$aEnglish. |
| 650 |
_0
|
$aLesbian artists$zFrance$zParis$vBiography. |
| 650 |
_0
|
$aLesbians$zFrance$zParis$vBiography. |
| 650 |
_0
|
$aArts, French$zFrance$zParis$y20th century. |
| 651 |
_0
|
$aParis (France)$xIntellectual life$y20th century. |
| 650 |
_6
|
$aArtistes lesbiennes$zFrance$zParis$vBiographies. |
| 650 |
_6
|
$aLesbiennes$zFrance$zParis$vBiographies. |
| 650 |
_6
|
$aArts français$zFrance$zParis$y20e siècle. |
| 651 |
_6
|
$aParis (France)$xVie intellectuelle$y20e siècle. |
| 650 |
_7
|
$aART$xSubjects & Themes$xGeneral.$2bisacsh |
| 650 |
_7
|
$aBIOGRAPHY & AUTOBIOGRAPHY$xArtists, Architects, Photographers.$2bisacsh |
| 650 |
_7
|
$aSOCIAL SCIENCE$xGender Studies.$2bisacsh |
| 650 |
_7
|
$aArts, French.$2fast$0(OCoLC)fst00818019 |
| 650 |
_7
|
$aIntellectual life.$2fast$0(OCoLC)fst00975769 |
| 650 |
_7
|
$aLesbian artists.$2fast$0(OCoLC)fst00996456 |
| 650 |
_7
|
$aLesbians.$2fast$0(OCoLC)fst00996540 |
| 651 |
_7
|
$aFrance$zParis.$2fast$0(OCoLC)fst01205283 |
| 648 |
_7
|
$a1900-1999$2fast |
| 655 |
_7
|
$aBiographies.$2fast$0(OCoLC)fst01919896 |
| 776 |
08
|
$iPrint version:$aLatimer, Tirza True.$tWomen together/women apart.$dNew Brunswick, N.J. : Rutgers University Press, ©2005$w(DLC) 2004023479 |
| 856 |
40
|
$uhttps://www.degruyter.com/openurl?genre=book&isbn=9780813541198 |