THE CRAFTSMAN


thoughts, thoughts provocative of pro-
found reflection; moreover, he shows that
"it is not," as D'Alviella tersely says, "the
vessel that is important, but the wine which
we pour into it; not the form, but the idea
which animates and transcends that form."
   It would seem as if the following is the
logical conclusion to be deduced from the


foregoing facts and illustrations, viz., that
the halo of to-day is a survival from the
remote past, by the road of conflicting re-
ligious systems, of a mark of honor of
varying potentiality, and inherently sug-
gestive of glory, from its having been in its
origin the highest symbolic expression of
solar worship.


Sun's Disc: Guatemala


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