MARC Bibliographic Record

LEADER01274cam a22003974a 4500
001 9950704643602122
005 20040528134600.0
008 990909s2000 enka b 001 0 eng
010    $a 99047640
015    $aGB99-U8598
019    $a42874846
020    $a0415206952
020    $a041507715X (pbk.)
035    $a(OCoLC)ocm42437145
035    $a(WU)5070464-uwmadisondb
035    $z(OCoLC)42874846
035    $a(EXLNZ-01UWI_NETWORK)999899228702121
040    $aDLC$beng$cDLC$dUKM$dC#P
042    $apcc
043    $ae-fr---
050 00 $aND547.5.I4$bN67 2000
082 00 $a759.4/09/034$221
100 1_ $aNord, Philip G.,$d1950-
245 10 $aImpressionists and politics :$bart and democracy in the nineteenth century /$cPhilip Nord.
264 _1 $aLondon ;$aNew York :$bRoutledge,$c2000.
300    $ax, 136 pages :$billustrations ;$c22 cm.
336    $atext$btxt$2rdacontent
337    $aunmediated$bn$2rdamedia
338    $avolume$bnc$2rdacarrier
490 1_ $aHistorical connections
504    $aIncludes bibliographical references (pages [124]-128) and index.
505 0_ $a1. Under the Empire: the origins of the new painting. The new painting at the Salon. Republican art criticism. Painters and the Republic -- 2. The coming of the Republic. 1870-1: the terrible year. The politics of the independent exhibition. The painting of republican life. Patronage and policy -- 3. The crisis of impressionism. From the Salon to the one-man show. The trials of middle age. Cultural crisis. The Dreyfus affair.
650 _0 $aPainting, French.
650 _0 $aPainting, French$y19th century.
650 _0 $aImpressionism (Art)$zFrance.
650 _0 $aArt$xPolitical aspects$zFrance.
830 _0 $aHistorical connections.
997    $aMARCIVE

MMS IDs

Document ID: 999899228702121
Network Electronic IDs:
Network Physical IDs: 999899228702121
mms_mad_ids: 9950704643602122
mms_ml_ids: 9913897263402124
mms_st_ids: 992411903402131