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Counterpoint and compositional process in the time of Dufay : perspectives from German musicology
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- Physical
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- Creator
- edited and translated by Kevin N. Moll
- Format
- Books
- Language
- English
- Contributors
- Publication
-
- New York : Garland Pub., 1997
- Series
- Physical Details
-
- xviii, 410 pages : illustrations ; 23 cm
- ISBNs
- 9780815323464, 0815323468
- OCLC
- ocm37141261
- Includes bibliographical references (pages 369-394) and index.
- Toward a comprehensive view of compositional priorities in the music of Dufay and his contemporaries / Kevin N. Moll -- Dufay : creator of Fauxbourdon / Heinrich Besseler -- Toward a history of the genesis of Fauxbourdon / Rudolf von Ficker -- Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler -- Harmony in the Cantus-Firmus compositions of the fifteenth century / Bernhard Meier -- The "tonal discant" and "free discant" techniques of composition in the fifteenth century / Ernst Apfel -- The Cantus-Firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt --The origin of true four-voice counterpoint in England ; Four-voice counterpoint in the fourteenth and fifteenth centuries ; The harmonic structure of late medieval music as a foundation of major-minor tonality ; Late medieval harmonic structure and major-minor tonality / Ernst Apfel -- Tonality and harmony in the French Chanson between Machaut and Dufay Wolfgang Marggraf -- The effect of Medieval English polyphony upon the development of continental Cantus-Firmus techniques and tonal structure / Ernest H. Sanders