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MARC Bibliographic Record

LEADER01328mam a2200349 a 4500
001 9927045633602122
005 19990604113142.0
008 910320t19921992nyua bc 001 0 eng
010    $a 91003264
020    $a1555950558 :$c$95.00
035    $a(OCoLC)23461962
035    $9ARD6068UW
035    $a(WU)2704563-uwmadisondb
035    $a(EXLNZ-01UWI_NETWORK)999710016102121
040    $aDLC$beng$cDLC
043    $an-us---$an-us-pa
049    $aGZMA
050    $aN6505$b.S87 1992
100 1_ $aStrazdes, Diana J.
245 10 $aAmerican paintings and sculpture to 1945 in the Carnegie Museum of Art /$cby Diana Strazdes ; assisted by Gillian Belnap, Rebecca Butterfield, Lisa Ann Hubeny ; with contributions by Janet Marstine ... [and others].
250    $aFirst edition.
264 _1 $aNew York :$bHudson Hills Press in association with the Museum :$bDistributed by National Book Network,$c[1992]
264 _4 $c©1992
300    $axxxi, 511 pages :$billustrations (some color) ;$c31 cm
336    $atext$btxt$2rdacontent
337    $aunmediated$bn$2rdamedia
338    $avolume$bnc$2rdacarrier
504    $aIncludes bibliographical references and index.
520 1_ $a"The Carnegie Institute, founded in 1896, was Andrew Carnegie's first great philanthropic endeavor and his grandest tribute to Pittsburgh, the city of his youth. It was originally planned that its Department of Fine Arts would over the years develop a representative collection of "contemporary American art by buying two works from each of the institute's annual international exhibitions beginning with the year of the founding nearly a century ago (the very first purchase was The Wreck by Winslow Homer). Carnegie apparently also saw no point in having more than a single work by any one artist." "Yet the collection has vastly exceeded this initial ambition in terms of both size and scope. Today it is called The Carnegie Museum of Art and owns some four hundred American paintings and sculptures dating from the late eighteenth century (the earliest works are Benjamin West's Venus Lamenting the Death of Adonis and Gilbert Stuart's portrait of Henry Nicols) to the end of World War II. Ranking among the most significant American art collections in the nation, it is especially strong in the work of Pennsylvania artists (including Cassatt, Eakins, Hicks, Kane, and Pippin), and of earlier twentieth-century modernists (for example, such masters as Bellows, Benton, Bruce, Davies, Dove, Feininger, Glackens, Graham, Hartley, Hassam, Henri, Hopper, Luks, Macdonald-Wright, Marsh, Nadelman, O'Keeffe, Prendergast, and Sloan)." "This comprehensive volume is the culmination of the enthusiastic rediscovery in our own time of the invaluable resource that this core collection represents. It catalogues the collection in its entirety, with an essay on each of some 400 works, a biography of each of nearly 200 artists, and complete reference material. It also includes a history of the institution and its collection of American art."--BOOK JACKET.
610 20 $aCarnegie Museum of Art$vCatalogs.
650 _0 $aArt, American$vCatalogs.
650 _0 $aArt$zPennsylvania$zPittsburgh$vCatalogs.
710 2_ $aCarnegie Museum of Art.
997    $aMARCIVE


Document ID: 999710016102121
Network Electronic IDs:
Network Physical IDs: 999710016102121
mms_mad_ids: 9927045633602122
mms_plt_ids: 991796653702128
mms_ww_ids: 994320473702133