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LEADER | 03684cam a2200817 a 4500 | |
001 | 9912005823602122 | |
005 | 20230213111811.0 | |
008 | 860926s1987 maua b 001 0 eng | |
010 | $a 86024995 | |
015 | $aGB8728444$2bnb | |
015 | $ab8728444 | |
019 | $a16081703$a1166906832 | |
020 | $a0870235613$q(alk. paper) | |
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020 | $a0870235621$q(pbk. ;$qalk. paper) | |
020 | $a9780870235627$q(pbk. ;$qalk. paper) | |
035 | $a(OCoLC)14379121 | |
035 | $9AJL7314UW | |
035 | $a(WU)1200582-uwmadisondb | |
035 | $a(OCoLC)14379121$z(OCoLC)16081703$z(OCoLC)1166906832 | |
035 | $a(OCoLC)ocm14379121 | |
035 | $a(EXLNZ-01UWI_NETWORK)999584594802121 | |
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043 | $an-us--- | |
049 | $aGZPM | |
050 | 00 | $aN7476$b.C37 1987 |
080 | $a7(04) | |
082 | 00 | $a701/.1/80973$219 |
084 | $aLH 61020$2rvk | |
084 | $a5,1$2ssgn | |
100 | 1_ | $aCarrier, David,$d1944- |
245 | 10 | $aArtwriting /$cDavid Carrier. |
260 | $aAmherst :$bUniversity of Massachusetts Press,$c1987. | |
300 | $axii, 161 pages :$billustrations ;$c24 cm | |
336 | $atext$btxt$2rdacontent | |
337 | $aunmediated$bn$2rdamedia | |
338 | $avolume$bnc$2rdacarrier | |
504 | $aIncludes bibliographical references (pages 141-155) and index. | |
505 | 0_ | $aBeginnings in narrative : art histories -- Endings in narrative : art histories -- The presentness of art -- The art system -- Art fashion -- The rhetoric of artwriting. |
520 | $a"Artwriting is concerned with texts of recent art critics. The analysis draws on Arthur Danto's theory of interpretation and upon three connected conceptual points: the need to properly identify an artwork; the possibility of conflicting interpretations; and the use of rhetoric in interpretation." -- Overture. | |
650 | _0 | $aArt criticism$xHistory$y20th century. |
650 | _0 | $aArt criticism$xPhilosophy. |
650 | _0 | $aArt criticism$xAuthorship. |
650 | _4 | $aCritique d'art$xHistoire$x20e siècle. |
650 | _4 | $aCritique d'art$xPhilosophie. |
650 | _6 | $aCritique d'art$0(CaQQLa)201-0001308$xHistoire$0(CaQQLa)201-0378892$y20e siècle.$0(CaQQLa)201-0378892 |
650 | _6 | $aCritique d'art$0(CaQQLa)201-0001308$xPhilosophie.$0(CaQQLa)201-0380041 |
650 | _7 | $aArt criticism.$2fast$0(OCoLC)fst00815492 |
650 | _7 | $aArt criticism$xAuthorship.$2fast$0(OCoLC)fst00815493 |
650 | _7 | $aArt criticism$xPhilosophy.$2fast$0(OCoLC)fst00815501 |
650 | _7 | $aGeschichte$2gnd$0(DE-588)4020517-4 |
650 | _7 | $aKunstgeschichtsschreibung$2gnd$0(DE-588)4033643-8 |
650 | _7 | $aKunstkritik$2gnd$0(DE-588)4033659-1 |
650 | _7 | $aPhilosophie$2gnd$0(DE-588)4045791-6 |
651 | _7 | $aUSA$2gnd$0(DE-588)4078704-7 |
650 | _7 | $aArt criticism$xHistory$y20th century.$2nli |
650 | _7 | $aArt criticism$xPhilosophy.$2nli |
651 | _7 | $aUSA.$2swd |
648 | _7 | $a1900-1999$2fast |
653 | $aVisual arts$aAmerican criticism, 1960-1986 | |
655 | _7 | $aHistory.$2fast$0(OCoLC)fst01411628 |
740 | 0_ | $aArt writing. |
776 | 08 | $iOnline version:$aCarrier, David, 1944-$tArtwriting.$dAmherst : University of Massachusetts Press, 1987$w(OCoLC)567933944 |