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| LEADER | 09321cpcaa2201609Ia 4500 | |
| 001 | 997303402122 | |
| 005 | 20210505122538.0 | |
| 007 | hd bfb---baaa | |
| 007 | mr ||||u||||||||||||||| | |
| 007 | ss |u|jlc||||| | |
| 007 | sd |u|unn||||| | |
| 008 | 850528i19431981wiu a eng d | |
| 035 | $a(OCoLC)ocn173704961 | |
| 035 | $a(OCoLC)173704961 | |
| 035 | $9WIHVL900-A | |
| 035 | $a(OCoLC)ocn173692666 | |
| 035 | $a(Whi)730-arcatdb | |
| 035 | $a(EXLNZ-01UWI_NETWORK)999465384102121 | |
| 040 | $aWHi$beng$edacs$cWHSAR$dWHSAR | |
| 049 | $aWHSA | |
| 072 | _7 | $2NHPRC$aPA-Theater Collections |
| 072 | _7 | $aPA$2NHPRC |
| 079 | $a(OCoLC)ocn173692666 | |
| 099 | $aU.S. Mss 79AN | |
| 099 | $aMicro 135 | |
| 099 | $aAudio 1076A | |
| 099 | $aAudio 1254A | |
| 099 | $aDisc 200A | |
| 099 | $aGA 102-103 | |
| 100 | 1_ | $aLevin, Herman,$d1907-1990. |
| 245 | 10 | $aHerman Levin papers,$f1943-1981. |
| 300 | $a30.0$fc.f. (68 archives boxes, 8 flat boxes, 2 card boxes) | |
| 300 | $a1$freel of microfilm (35 mm) | |
| 300 | $a4$ftape recordings | |
| 300 | $a1$fdisc recording, and | |
| 300 | $a2$freels of film; plus | |
| 300 | $3additions of$a2$ftape recordings | |
| 336 | $aunspecified$bzzz$2rdacontent | |
| 337 | $amicroform$bh$2rdamedia | |
| 338 | $amicrofilm reel$bhd$2rdacarrier | |
| 520 | $aPapers of a leading Broadway producer.$bEspecially rich in its coverage of the financial aspects of theatrical production, the collection also includes correspondence, contracts and Actors' Equity agreements, lyrics and orchestrations, microfilmed scrapbooks, a few scripts, and miscellaneous other production records. Much of the collection relates to Levin's much-acclaimed success "My Fair Lady" (1956), with the remainder consisting of material on other major productions including "Call Me Mister" (1946), produced with Melvyn Douglas; "No Exit" (1946); "Gentlemen Prefer Blonds" (1946), which he produced in collaboration with Oliver Smith; "The Girl Who Came to Supper" (1963); the award-winning "The Great White Hope" (1968); and a controversial "Lovely Ladies, Kind Gentlemen" (1970). | |
| 520 | 8_ | $aThe material on "My Fair Lady" includes files not only on its long Broadway run, but also on its national, British, and Russian touring companies, and its 1976 Broadway revival. The collection's film is a documentary concerning the production's visit to Moscow in 1960. Also included are legal documents relating to litigation over this musical which involved CBS, Actors' Equity, and the Mark Hellinger Theatre. |
| 520 | 8_ | $aScattered correspondence includes letters from many prominent individuals who were involved in Levin's productions, as well as from many others who were admirers of his work. Among these are Julie Andrews, Burt Bacharach, Cecil Beaton, Irving Berlin, Leonard Bernstein, Alexander Cohen, Katherine Cornell, Noel Coward, Hume Cronyn, Agnes de Mille, Jose Ferrer, Rex Harrison, Moss Hart, Florence Henderson, Stanley Holloway, Alfred Knopf, Jr., Jo Mielziner, Richard M. Nixon, Richard Rodgers, Eleanor Roosevelt, Wolfgang Roth, and James Thurber. |
| 520 | 8_ | $aThe collection also contains orchestrations by Jule Styne and Frederick Loewe; a photocopy of the score for "Lincoln Portrait" by Aaron Copland; blueprints of set designs by Oliver Smith; sound recordings of "The Girl Who Came to Supper" and "The Great White Hope"; a typed script for "After the Ball" by Noel Coward; and a few boxes which relate to Levin's early work as a theatrical agent and to plays rejected for production. |
| 520 | 8_ | $aThe processed portion is summarized above and is described in the register. Additional accessions are described below and consist of tape recordings relevant to "The Great White Hope." |
| 530 | $3The scrapbooks in this collection are$aavailable only on microfilm. | |
| 500 | $aThe film in this collection also is cataloged individually. | |
| 555 | 0_ | $aRegister to the processed portion. |
| 541 | 1_ | $81.1\a$aLevin, Herman$cPartially on deposit.$3Collection |
| 583 | 1_ | $81.2\a$aAccessioned$c19010101$3Collection |
| 541 | 1_ | $82.1\a$eMCHC67-106 |
| 583 | 1_ | $82.2\a$aAccessioned$c19010101 |
| 541 | 1_ | $83.1\a$eMCHC68-044 |
| 583 | 1_ | $83.2\a$aAccessioned$c19010101 |
| 541 | 1_ | $84.1\a$eMCHC73-050 |
| 583 | 1_ | $84.2\a$aAccessioned$c19010101 |
| 541 | 1_ | $85.1\a$eMCHC76-038 |
| 583 | 1_ | $85.2\a$aAccessioned$c19010101 |
| 541 | 1_ | $86.1\a$eMCHC83-078$3Two 2500 ft. reels of audio tape marked "Great White Hope." Qty: 2 tape recordings |
| 583 | 1_ | $86.2\a$aAccessioned$c19010101$3Two 2500 ft. reels of audio tape marked "Great White Hope." Qty: 2 tape recordings |
| 541 | 1_ | $87.1\a$aLevin, Herman$eM86-319$3See PCID 9. |
| 583 | 1_ | $87.2\a$aAccessioned-addition$b0.2 c.f.$c19860626$3See PCID 9. |
| 583 | 1_ | $87.3\a$aAccessioned-addition$b1 disc recording$c19860626$3See PCID 9. |
| 541 | 1_ | $88.1\a$aFound in collections$eM90-367$3See PCID 9. |
| 583 | 1_ | $88.2\a$aAccessioned-addition$c19901128$n0.1$oc.f.$3See PCID 9. |
| 541 | 1_ | $89.1\a$3The entire collection was weeded and the two most recent additions (M86-319 and M90-367) were added in 1992. |
| 583 | 1_ | $89.2\a$aProcessed-addition$c19920826$iInterfiled$kMattern, Carolyn$n0.0$oc.f.$3The entire collection was weeded and the two most recent additions (M86-319 and M90-367) were added in 1992. |
| 583 | 1_ | $89.3\a$aDeaccessioned-unprocessed$c19920826$n0.3$oc.f.$3The entire collection was weeded and the two most recent additions (M86-319 and M90-367) were added in 1992. |
| 583 | 1_ | $89.4\a$aDeaccessioned-unprocessed$c19920826$n2$otape recordings$3The entire collection was weeded and the two most recent additions (M86-319 and M90-367) were added in 1992. |
| 583 | 1_ | $89.5\a$aMicrofilmed-processed$c19920826$n1$oreel (35mm)$3The entire collection was weeded and the two most recent additions (M86-319 and M90-367) were added in 1992. |
| 583 | 1_ | $89.6\a$aDeaccessioned-processed$c19920826$n51.2$oc.f.$3The entire collection was weeded and the two most recent additions (M86-319 and M90-367) were added in 1992. |
| 561 | $aPortions presented by Herman Levin, New York, N.Y., 1967-1968, and portions placed on deposit, 1973-1986. | |
| 599 | 0_ | $aNote: Boxes 63-183, 185-187 and 191 no longer exist at this time; the collection was reprocessed (3/3/2011, aeb).$9local |
| 599 | 1_ | $aThere are no boxes numbered 63-183, 185-187, and 191.$9local |
| 600 | 10 | $aAndrews, Julie. |
| 600 | 10 | $aBacharach, Burt. |
| 600 | 10 | $aBeaton, Cecil,$d1904-1980. |
| 600 | 10 | $aBerlin, Irving,$d1888-1989. |
| 600 | 10 | $aBernstein, Leonard,$d1918-1990. |
| 600 | 10 | $aCohen, Alexander,$d1864- |
| 600 | 10 | $aCopland, Aaron,$d1900-1990. |
| 600 | 10 | $aCornell, Katherine,$d1972- |
| 600 | 10 | $aCoward, Noël,$d1899-1973. |
| 600 | 10 | $aCronyn, Hume. |
| 600 | 10 | $aDe Mille, Agnes. |
| 600 | 10 | $aDouglas, Melvyn. |
| 600 | 10 | $aFerrer, José,$d1912-1992. |
| 600 | 10 | $aHarrison, Rex. |
| 600 | 10 | $aHart, Moss,$d1904-1961. |
| 600 | 10 | $aHenderson, Florence. |
| 600 | 10 | $aHolloway, Stanley. |
| 600 | 10 | $aKnopf, Alfred A.$q(Alfred Abraham),$d1918-2009. |
| 600 | 10 | $aLoewe, Frederick,$d1901-1988. |
| 600 | 10 | $aMielzinger, Jo,$d1901-1976. |
| 600 | 10 | $aNixon, Richard M.$q(Richard Milhous),$d1913-1994. |
| 600 | 10 | $aRodgers, Richard,$d1902-1979. |
| 600 | 10 | $aRoosevelt, Eleanor,$d1884-1962. |
| 600 | 10 | $aRoth, Wolfgang,$d1910-1988. |
| 600 | 10 | $aSmith, Oliver Lemuel,$d1918-1994. |
| 600 | 10 | $aStyne, Jule,$d1905-1994. |
| 600 | 10 | $aThurber, James,$d1894-1961. |
| 600 | 10 | $aRome, Harold,$d1908-1993.$tCall me Mister. |
| 600 | 10 | $aFields, Joseph A.,$d1895-1966.$tGentlemen prefer blonds. |
| 600 | 10 | $aCoward, Noël,$d1899-1973.$tGirl who came to supper. |
| 600 | 10 | $aSackler, Howard.$tGreat white hope. |
| 600 | 10 | $aFreeman, Stan.$tLovely ladies, kind gentlemen. |
| 600 | 10 | $aLoewe, Frederick,$d1901-1988.$tMy fair lady. |
| 600 | 10 | $aSartre, Jean-Paul,$d1905-1980.$tHuis clos.$lEnglish. |
| 610 | 20 | $aActors' Equity Association. |
| 610 | 20 | $aColumbia Broadcasting System, Inc. |
| 610 | 20 | $aMark Hellinger Theatre (Organization : New York, N.Y.) |
| 630 | 04 | $aNo exit. |
| 650 | _0 | $aMusicals$xProduction and direction. |
| 650 | _0 | $aTheaters$xProduction and direction. |
| 650 | _0 | $aTheaters$zNew York (State)$zNew York. |
| 650 | _0 | $aTheaters$zEngland$zLondon. |
| 650 | _0 | $aTheaters$zSoviet Union. |
| 650 | _0 | $aTheatrical agents. |
| 655 | _7 | $aManuscript collection.$2local |
| 655 | _7 | $aAdvertising.$2aat |
| 655 | _7 | $aFinancial records.$2aat |
| 655 | _7 | $aMicroforms.$2aat |
| 655 | _7 | $aMotion pictures.$2aat |
| 655 | _7 | $aScores.$2aat |
| 655 | _7 | $aPhotographs.$2aat |
| 655 | _7 | $aSound recordings.$2aat |
| 690 | _4 | $aWCFTR-owned.$9local |
| 852 | $aState Historical Society of Wisconsin.$bLibrary-Archives Division.$e816 State Street, Madison, Wisconsin 53706. | |
| 852 | $aWHi$3Box 1-61$cMAD 3M/34/N1-O4 | |
| 852 | $aWHi$3Box 62$cMAD 3 /Oversize/B2 | |
| 852 | $aWHi$3Box 184, 188-190, 192-203$cMAD 3 /33/V4-6 | |
| 852 | $aWHi$32 tape recordings$cMAD Sound/Tape 1076A | |
| 852 | $aWHi$32 tape recordings$cMAD Sound/Tape 1254A | |
| 852 | $aWHi$31 disc recording$cMAD Sound/Disc 200A | |
| 852 | $aWHi$3Micro 135 (1 reel)$cMAD 1V/Mss Box 66 | |
| 852 | $aWHi$3Films$cMAD 1V/by call number | |
| 852 | $aWHi$jU.S. Mss 79AN | |
| 856 | 42 | $uhttp://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0079an$zFinding aid available online. |
| 990 | $aUWARC | |
| 994 | $aC0$bWHSAR | |
| 997 | $aMARCIVE | |