Website Search
Find information on spaces, staff, and services.
Find information on spaces, staff, and services.
| LEADER | 02488cam a2200385 i 4500 | |
| 001 | 991022169912902122 | |
| 005 | 20170303045322.4 | |
| 008 | 160728t20172017ctua b 001 0 eng c | |
| 020 | $a0300219164 | |
| 020 | $a9780300219166 | |
| 035 | $a(OCoLC)954224102 | |
| 035 | $a(YBP)13091121 | |
| 035 | $a(OCoLC)ocn954224102 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)9912300248202121 | |
| 040 | $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dOCLCQ$dERASA$dISS$dJHE$dHTM$dUBY | |
| 042 | $apcc | |
| 043 | $ae------$amm-----$aaw----- | |
| 050 | _4 | $aN5975$b.A53 2017 |
| 082 | 04 | $a709.02 |
| 100 | 1_ | $aAnderson, Benjamin,$eauthor. |
| 245 | 10 | $aCosmos and community in early medieval art /$cBenjamin Anderson. |
| 264 | _1 | $aNew Haven :$bYale University Press,$c[2017]. |
| 264 | _4 | $c©2017. |
| 300 | $a203 pages :$billustrations (chiefly color) ;$c27 cm | |
| 336 | $atext$btxt$2rdacontent | |
| 336 | $astill image$bsti$2rdacontent | |
| 337 | $aunmediated$bn$2rdamedia | |
| 338 | $avolume$bnc$2rdacarrier | |
| 504 | $aIncludes bibliographical references (pages 182-199) and index. | |
| 505 | 0_ | $aIntroduction: solitude and community -- 1. Tyranny and splendor -- 2. Declaration and transaction -- 3. Carolingian consensus -- 4. Byzantine dissensus -- Conclusion. |
| 520 | 8_ | $a"In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, [it] illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history."--Jacket flap. |
| 650 | _0 | $aArt, Medieval$xEuropean influences. |
| 650 | _0 | $aArt, Medieval$xByzantine influences. |
| 650 | _0 | $aArt, Medieval$xIslamic influences. |
| 950 | $a20170223$bkrn$cc$dp$egls$9local | |
| LEADER | 03358cam a2200505Ii 4500 | |
| 001 | 991022355530702122 | |
| 005 | 20230118195932.0 | |
| 006 | m o d | |
| 007 | cr cnu|||unuuu | |
| 008 | 170201t20172017ctuae ob 001 0 eng d | |
| 020 | $a9780300228496$q(electronic book) | |
| 020 | $a030022849X$q(electronic book) | |
| 020 | $z9780300219166 | |
| 020 | $z0300219164 | |
| 035 | $a(OCoLC)971018868 | |
| 035 | $a(OCoLC)ocn971018868 | |
| 035 | $a(EXLNZ-01UWI_NETWORK)9912703620402121 | |
| 037 | $a124153D7-0EA6-4018-8381-F17BD7D5C162$bOverDrive, Inc.$nhttp://www.overdrive.com | |
| 040 | $aN$T$beng$erda$epn$cN$T$dN$T$dYDX$dIDEBK$dCSAIL$dMERUC$dTEFOD$dOCLCQ$dQGK$dOCLCQ$dEBLCP$dQGK$dOCLCO$dOCLCF$dINT$dOCLCQ$dYUS$dOCLCQ$dDEGRU$dOCLCQ | |
| 043 | $ae------$amm-----$aaw----- | |
| 049 | $aGZMA | |
| 050 | _4 | $aN5975$b.A53 2017eb |
| 072 | _7 | $aART$x015000$2bisacsh |
| 082 | 04 | $a709.02$223 |
| 100 | 1_ | $aAnderson, Benjamin,$eauthor. |
| 245 | 10 | $aCosmos and community in early medieval art /$cBenjamin Anderson. |
| 264 | _1 | $aNew Haven :$bYale University Press,$c[2017] |
| 264 | _4 | $c©2017 |
| 300 | $a1 online resource (203 pages) :$b77 illustrations (chiefly color), plans | |
| 336 | $atext$btxt$2rdacontent | |
| 336 | $astill image$bsti$2rdacontent | |
| 337 | $acomputer$bc$2rdamedia | |
| 338 | $aonline resource$bcr$2rdacarrier | |
| 347 | $adata file$2rda | |
| 588 | 0_ | $aOnline resource; title from PDF title page (EBSCO, viewed February 2, 2017). |
| 504 | $aIncludes bibliographical references and index. | |
| 505 | 0_ | $aIntroduction: solitude and community -- 1. Tyranny and splendor -- 2. Declaration and transaction -- 3. Carolingian consensus -- 4. Byzantine dissensus -- Conclusion. |
| 520 | 8_ | $a"In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, [it] illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history."--Jacket flap. |
| 650 | _0 | $aArt, Medieval$xEuropean influences. |
| 650 | _0 | $aArt, Medieval$xByzantine influences. |
| 650 | _0 | $aArt, Medieval$xIslamic influences. |
| 650 | _7 | $aART$xHistory$xGeneral.$2bisacsh |
| 650 | _7 | $aArt, Medieval$xByzantine influences.$2fast$0(OCoLC)fst00816577 |
| 650 | _7 | $aArt, Medieval$xIslamic influences.$2fast$0(OCoLC)fst00816587 |
| 776 | 08 | $iPrint version:$aAnderson, Benjamin.$tCosmos and community in early medieval art$z0300219164$w(DLC) 2016933954$w(OCoLC)954224102 |
| 856 | 40 | $uhttps://www.degruyter.com/openurl?genre=book&isbn=9780300228496 |