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This is one of Griffith's most widely acclaimed films, using a new style of lighting and photography to stress intimate character relationships rather than spectacle. A young Chinaman in London's s...
This is one of Griffith's most widely acclaimed films, using a new style of lighting and photography to stress intimate character relationships rather than spectacle. A young Chinaman in London's squalid Limehouse district hopes to spread the peaceful philosophy of his Eastern religion. He befriends a pitiful street waif who is mistreated by her brutal father. The result is tragedy.